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Mrs. Delany and Her Circle
At the age of seventy-two, Mary Delany, née Mary Granville (1700-1788), embarked upon a series of nearly a thousand botanical collages, or “paper mosaics,” which would prove to be the crowning achievement of her rich creative life. These delicate hand-cut floral designs, made by a method of Mrs. Delany’s own invention, vie with the finest botanical works of her time. More than two centuries later her extraordinary work continues to inspire.
Although best known for these collages, Mrs. Delany was also an amateur artist, woman of fashion, and commentator on life and society in 18th-century England and Ireland. Her prolific craft activities not only served to cement personal bonds of friendship, but also allowed her to negotiate the interconnecting artistic, aristocratic, and scientific networks that surrounded her. This ambitious and groundbreaking book, the first to survey the full range of Mrs. Delany’s creative endeavors, reveals the complexity of her engagement with natural science, fashion, and design.
Although best known for these collages, Mrs. Delany was also an amateur artist, woman of fashion, and commentator on life and society in 18th-century England and Ireland. Her prolific craft activities not only served to cement personal bonds of friendship, but also allowed her to negotiate the interconnecting artistic, aristocratic, and scientific networks that surrounded her. This ambitious and groundbreaking book, the first to survey the full range of Mrs. Delany’s creative endeavors, reveals the complexity of her engagement with natural science, fashion, and design.
- GenresNonfictionArt
416 pages, Hardcover
First published December 1, 2009
About the author
Mark Laird
10 books1 followerMark Laird is a historic landscape consultant and garden conservator and teaches landscape history at the Graduate School of Design, Harvard University. Previous books include The Flowering of the Landscape Garden: English Pleasure Grounds, 1720-1800 and Mrs. Delany and Her Circle (Yale).
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March 3, 2012
Currently reading this (third book I've read on her). Only drawback is the fact that this is the exhibition book from the Yale Center for British Art so it is rather difficult to read it for long periods. Very large and heavy, but I'm thoroughly enjoying it and her beautiful paper mosaicks.
Displaying 1 of 1 review