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A still from “Joanna Lumley’s Spice Trail Adventure”, which sees the actress follow the old spice trade route. Photo: BBC Studios

Review | What to stream this weekend: Joanna Lumley’s Spice Trail Adventure on BBC sees actress find some surprises on ancient East-West spice trade route

  • India-born actress-turned-presenter follows the ancient spice trade route from Indonesia to Madagascar in Joanna Lumley’s Spice Trail Adventure on BBC Earth
  • Meanwhile, season two of Netflix K-drama D.P. sees military policemen on the trail of more South Korean soldiers who have gone AWOL and must be apprehended

Roughly three-quarters of the way into Joanna Lumley’s Spice Trail Adventure (BBC Earth, now streaming), our ever-effervescent explorer lands on an unsuspected patch of the new Chinese empire.

Lumley – who has quietly stacked up a host of travel-show-presenter credits alongside her more established acting bona fides – is following the old trade route along which spice dealing and spice-race politics shaped today’s world. And she has just chanced upon a startlingly smooth Madagascan mountain road built by Beijing.

Cost: US$157 million.

She is on a four-part trek that began in Indonesia’s fabled Banda Islands, garden of nutmeg and mace, and the scene of vicious, 17th century conflicts and wanton atrocities geared towards filling European coffers.

The always elegant Joanna Lumley in a still from “Joanna Lumley’s Spice Trail Adventure”. Photo: BBC Studios

Heat and dust, far-flung ferry journeys, mud, dirt and dodgy motors: nothing fazes the always elegant Lumley, now 77, who could be the reincarnation of an intrepid Victorian lady explorer.

After Indonesia come Hampi, Goa and Kerala in Lumley’s own birthplace, India; from Madagascar it’s on to Zanzibar, then north to Jordan and Petra’s ravishing ruins, spices and dishes changing with the scenery.

A still from “Joanna Lumley’s Spice Trail Adventure”. Lumley could be the reincarnation of an intrepid Victorian lady explorer. Photo: BBC Studios

But not everything on this 24,000km (15,000 mile) voyage of discovery is fabulous, and thankfully so: overcoming mishaps and minor crises, often with a dollop of dry wit, makes for more watchable television than the drip-fed, on-tap advertorial luxury in other types of travel show.

Clearly, Lumley has an unflagging enthusiasm for life. And when life gives her vanilla, cinnamon, pepper and cardamom, spice girl Joanna Lumley makes a television series.

Jung Hae-in (left) and Koo Kyo-hwan in a still from “D.P.” season two. Photo: Netflix

The action continues in D.P. on Netflix

If he is tuning in from his Pyongyang bunker, Kim Jong-un might be encouraged by D.P. (Netflix).

Should this often brutal drama be accurate about what can happen to South Korean servicemen during conscription, then the North might fancy a tilt at their southern neighbours, whose military top brass seems to spend its time concealing the truth of deadly incidents involving its troops – to save face, and the armed forces’ reputation.

Son Suk-ku (left) and Kim Ji-hyun in a still from “D.P.” season two. Photo: Netflix

Series two sees military policemen An Jun-ho (Jung Hae-in) and Han Ho-yeol (Koo Kyo-hwan) of Gangwon’s Deserter Pursuit (D.P.) unit on the trail of more soldiers who have gone AWOL and must be apprehended.

Reasons for desertion include the predictable, puerile, yet horrifying mental and physical abuse of the gay, the overweight, the spectacle-wearing and more. And sadly, although the first series reflected South Korean national anger at hazing in the forces, recent reports of continuing problems indicate series two is just as topical.

Nevertheless, D.P. is not a documentary, so while its flimsily veiled social commentary should be kept in mind, it can be enjoyed as an action-based production, especially in the latter half of this six-part season.
Ji Jin-hee (left) and Jung Suk-yong in a still from “D.P.” season two. Photo: Netflix

Therein, an unlikely whistle-blower goes on the run, carrying a USB drive containing enough dirt on the military to cause a national crisis. He is hunted by the sort of ravenous, undercover pack against whom only Jason Bourne would enjoy facing off.

A guard post facing the North Korean lines across the DMZ sees an explosive confrontation; and a set-piece punch-up in a train carriage would fit right into a Daniel Craig-era James Bond movie.

Less convincing are the odd excur­sions into tone-deaf comedy: would a suspect really be pursued across night­time Seoul on rental bicycles? But those are more than compensated for by the presence of some genuinely sinister bad guys, including General Gu Ja-woon (Ji Jin-hee) and his go-to thug Oh Min-u (Jung Suk-yong).

Finally, superseding all the breathless violence, human-rights advocates are given the floor. So perhaps D.P. will change the world, after all.

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