INTERVIEW | THEATRE

Simon McBurney: Brexit, Poland and the struggle to stage my new play

The award-winning actor and director explains why he’s turned a controversial Polish novel into a murder mystery for the stage, Drive Your Plow Over the Bones of the Dead

Kathryn Hunter in Drive Your Plow Over the Bones of the Dead
Kathryn Hunter in Drive Your Plow Over the Bones of the Dead
CAMILLA ADAMS
The Sunday Times

Like all good murder mysteries, Simon McBurney’s new play opens with the discovery of a body. The setting is a remote Polish village in the depths of winter. The victim is a local poacher, and it is the first of several suspicious deaths. All are middle-aged men, all hunters, including the priest, the police chief, and a local landowner who has a fox farm. An eccentric woman in her late sixties is first on the scene. Janina Duszejko is a central European Miss Marple who believes the local wildlife may be taking revenge on the hunters. Each body is surrounded by dozens of hoofprints in the snow.

A new production from Complicité, McBurney’s theatre company, is always worth paying attention to — and they don’t