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1596 1605 Stock Photos and Images
RMREYT1J–Drievingerige luiaard (Bradypus). Luijaerd. / ignavus. / l'unau, l'ai le paresseux (title on object). Draughtsman: Anselmus Boëtius de Boodt (mentioned on object). Dating: 1596 - 1605. Place: Praag. Measurements: h 175 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.
RMRY7YHG–A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. Attributed to Govardhan (Indian, active c.1596-1645). Opaque watercolor and gold on paper, text on verso; page: 17.8 x 12.5 cm (7 x 4 15/16 in
RM2A2J2EB–Holy Family, n.d., Attributed to Johann Boeckhorst (Flemish, 1605-1668), or Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or circle of Peter Paul Rubens (Flemish, 1577-1640), Flanders, Pen and brown ink, with graphite, heightened with ochre and white gouache, on ivory laid paper, tipped onto cream laid paper, 130 × 90 mm
RM2B01EWC–India: Abu'l-Fazl ibn Mubarak presenting the Akbarnama to the Mughal Emperor Akbar. Miniature painting by Govardhan (fl. 1596–1640), c. 1603-1605. Akbar (25 October 1542 - 27 October 1605), also known as Shahanshah Akbar-e-Azam or Akbar the Great, was the third Mughal Emperor. He was of Timurid descent; the son of Emperor Humayun, and the grandson of Emperor Babur, the ruler who founded the Mughal dynasty in India. At the end of his reign in 1605 the Mughal empire covered most of the northern and central India. Akbar was thirteen years old when he ascended the Mughal throne in Delhi.
RM2B6KCM7–Drievingerige luiaard (Bradypus) Luijaerd Ignavus the unau, the to the paresseux (titel op object) Three-toed sloth. Numbered upper right: 12. With the name in Latin. Two-line annotation added in Dutch on the blade. Part of the second album with drawings of quadrupeds. Second twelve albums with drawings of animals, birds and plants are known around 1600, commissioned by Emperor Rudolf II. With Notes in Dutch, Latin and Frans. Manufacturer : artist: Anselm Boëtius the Boodt (listed property) Place manufacture: Prague Date: 1596 - 1605 Physical features: brush in brown, handwriting pen in brown,
RM2B014WM–India/Portugal: A Portuguese merchant is carried on a palanquin by his Indian servants. Engraving by Joannes van Doetecum the Elder (1530-1605), c. 1596. Under King Manuel I, the Portuguese set up a government in India in 1505, six years after the discovery of a sea route to Calicut in southwest India by Vasco da Gama. The Portuguese originally based their administration in Kochi/Cochin, in Kerala, but in 1510 moved to Goa. Until 1752, the ‘State of India’ included all Portuguese possessions in the Indian Ocean, from southern Africa to Southeast Asia, governed by either a Viceroy or Governor.
RF2HK633T–Inspired by Siege of Baghdad, folio from an illuminated manuscript of the History of Genghis Khan, Khem Karan, Indian, active c.1580–c.1605, Indian, Mughal period, 1526–1858, reign of Akbar, Mughal, reigned 1556–1605, 1596, Ink, opaque watercolor, and gold on paper, Made in Lahore, Punjab province, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMP7CEC–The Last Judgment. English: A depiction of the last judgment, with individuals organized according to celestial hierarchy. The Holy Trinity is flanked by Mary and John the Baptist, and ringed by rows of Old Testament prophets and saints. The bottom half features individuals on earth yet to be judged. . between circa 1596 and circa 1605 CE. 793 Last Judgement by Leandro Bassano-BMA
RM2PNG92P–India: Abu'l-Fazl ibn Mubarak presenting the Akbarnama to the Mughal Emperor Akbar. Miniature painting by Govardhan (fl. 1596–1640), c. 1603-1605. Akbar (25 October 1542 - 27 October 1605), also known as Shahanshah Akbar-e-Azam or Akbar the Great, was the third Mughal Emperor. He was of Timurid descent; the son of Emperor Humayun, and the grandson of Emperor Babur, the ruler who founded the Mughal dynasty in India. At the end of his reign in 1605 the Mughal empire covered most of the northern and central India. Akbar was thirteen years old when he ascended the Mughal throne in Delhi.
![. Norsk bokmål: Kart fra Nasjonalbibliotekets kartsamling. Kartet er gitt ut i (1605 [1596]) og viser Finnmark. Deutsch: Karte Nordnorwegens mit vergrößerten Ausschnitten von Vardø und Kildin von Willem Barents. Waghenaer: Den Nieuwen Spieghel der Zeevaert, 1596 . before 1605 [1596]. Waghenaer, Lucas Janszoon 125 Finnmark - no-nb krt 00728 Stock Photo](https://c8.alamy.com/comp/P2BNN7/norsk-bokml-kart-fra-nasjonalbibliotekets-kartsamling-kartet-er-gitt-ut-i-1605-1596-og-viser-finnmark-deutsch-karte-nordnorwegens-mit-vergrerten-ausschnitten-von-vard-und-kildin-von-willem-barents-waghenaer-den-nieuwen-spieghel-der-zeevaert-1596-before-1605-1596-waghenaer-lucas-janszoon-125-finnmark-no-nb-krt-00728-P2BNN7.jpg ". Norsk bokmål: Kart fra Nasjonalbibliotekets kartsamling. Kartet er gitt ut i (1605 [1596]) og viser Finnmark. Deutsch: Karte Nordnorwegens mit vergrößerten Ausschnitten von Vardø und Kildin von Willem Barents. Waghenaer: Den Nieuwen Spieghel der Zeevaert, 1596 . before 1605 [1596]. Waghenaer, Lucas Janszoon 125 Finnmark - no-nb krt 00728 Stock Photo")
RMP2BNN7–. Norsk bokmål: Kart fra Nasjonalbibliotekets kartsamling. Kartet er gitt ut i (1605 [1596]) og viser Finnmark. Deutsch: Karte Nordnorwegens mit vergrößerten Ausschnitten von Vardø und Kildin von Willem Barents. Waghenaer: Den Nieuwen Spieghel der Zeevaert, 1596 . before 1605 [1596]. Waghenaer, Lucas Janszoon 125 Finnmark - no-nb krt 00728
RMP5CEPC–N/A. Deutsch: Detail des Titelblatts des ersten Repertoriums des Stiftarchivs des adeligen Damenstifts Buchau, 1605 vom Stiftsekretär Gabriel Leuthold verfasst (Staatsarchiv Sigmaringen, StAS Dep. 30/14 T 2 Nr. 1757) Motive: Apokryphe Wappen der legendären Klostergründer Adelindis (hier „Adelgundis ain geborne herzogin von Schwaben“, geviert Schwaben und Teck) und Atto von Tragant (hier „Otto Graf von Tragandt zu Kesselburg“). Des weiteren oben neben der Madonna die Patrone der Stiftskirche St. Cornelius und Cyprianus, in der Mitte oben das Wappen der Eleonore von Montfort (Äbtissin 1596-1610)
RMPDH67C–Robert Cecil, 1st Earl of Salisbury, (1563-1612) was an English statesman noted for his skillful direction of the government during the Union of the Crowns, as Tudor England gave way to Stuart rule (1603). Salisbury served as the Secretary of State of England (1596–1612) and Lord High Treasurer (1608–1612), succeeding his father as Queen Elizabeth I's Lord Privy Seal and remaining in power during the first nine years of King James I's reign. He was the principal discoverer of the Gunpowder Plot of 1605.
RMMMTNJ2–Bèze, Théodore de (1519-1605) - 1596 - inc Boissard, J.J Bibliotheca chalcographica -1652-69
RM2WW48BG–Vintage Indian Asian Art. Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), c. 1596–1597 or 1604. Mughal India, court of Akbar (reigned 1556–1605)
![Drawing, Deer attacked by Lynxes [above left]; Deer Hunt with Hounds Tracking [below left]; Cloelia and her Companions escape Porsena's Camp [above right]; Aeneas and Dido Shelter in a Cave [below right]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Engraved by Hans Collaert II (Flemish, 1560 - 1628); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Petrus Angelius Bargaeus (Italian, 1517 – 1596), Pseudo-Oppian (Greco-Syrian, active 212 – 217); Netherlands; pen and brown ink, brush and wash on two joined sheets of laid paper Stock Photo](https://c8.alamy.com/comp/2PMKX11/drawing-deer-attacked-by-lynxes-above-left-deer-hunt-with-hounds-tracking-below-left-cloelia-and-her-companions-escape-porsenas-camp-above-right-aeneas-and-dido-shelter-in-a-cave-below-right-jan-van-der-straet-called-stradanus-flemish-15231605-engraved-by-hans-collaert-ii-flemish-1560-1628-published-by-philips-galle-flemish-1537-1612-subject-petrus-angelius-bargaeus-italian-1517-1596-pseudo-oppian-greco-syrian-active-212-217-netherlands-pen-and-brown-ink-brush-and-wash-on-two-joined-sheets-of-laid-paper-2PMKX11.jpg "Drawing, Deer attacked by Lynxes [above left]; Deer Hunt with Hounds Tracking [below left]; Cloelia and her Companions escape Porsena's Camp [above right]; Aeneas and Dido Shelter in a Cave [below right]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Engraved by Hans Collaert II (Flemish, 1560 - 1628); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Petrus Angelius Bargaeus (Italian, 1517 – 1596), Pseudo-Oppian (Greco-Syrian, active 212 – 217); Netherlands; pen and brown ink, brush and wash on two joined sheets of laid paper Stock Photo"){kind=tracking}
RM2PMKX11–Drawing, Deer attacked by Lynxes [above left]; Deer Hunt with Hounds Tracking [below left]; Cloelia and her Companions escape Porsena's Camp [above right]; Aeneas and Dido Shelter in a Cave [below right]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Engraved by Hans Collaert II (Flemish, 1560 - 1628); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Petrus Angelius Bargaeus (Italian, 1517 – 1596), Pseudo-Oppian (Greco-Syrian, active 212 – 217); Netherlands; pen and brown ink, brush and wash on two joined sheets of laid paper
RMPAKW4M–Spring. Artist: After Grégoire Huret (French, Lyon 1606-1670 Paris); Jean Couvay (French, Arles ca. 1605-1663 Paris). Dimensions: Sheet: 8 1/4 × 10 1/16 in. (21 × 25.6 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMJ4N286–Germany, Hessen, Groß-Umstadt, Renaissance city hall, gable, sky, blue, town, Old Town, mark square, city hall, portal, building, structure, Renaissance, gable characters, characters, symbols, Justice, justice, Prudentia, cleverness, window, window boxes, flowers, red,
RM2WGXWG4–Three -fitting sloth (Bradypus), Anselmus Boëtius de Boodt, 1596 - 1605 drawing Three -fitting sloth. Numbered at the top right: 12. With the name in Latin. Twoeregel annotation in Dutch added on the magazine. Part of the second album with drawings of four -legged friends. Second of twelve albums with drawings of animals, birds and plants known around 1600, made commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. Prague paper. watercolor (paint). ink. pencil brush / pen other mammals (with NAME)
RM2JC206P–Three-fingered sloth. Numbered upper right: 12. With the name in Latin. Two-line annotation in Dutch added to the sheet. Part of the second album with drawings of quadrupeds. Second of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by emperor Rudolf II. With explanation in Dutch, Latin and French, Three-fingered Sloth (Bradypus) Luijaerd. / ignavus. / l'unau, l'ai le paresseux, draughtsman: Anselmus Boëtius de Boodt, (mentioned on object), Praag, 1596 - 1605, paper, brush, pen, h 175 mm × w 183 mm
RMPPXMB4–The Arno with Fishermen; Stradanus, Flemish, 1523 - 1605, Netherlands; between 1580 and 1596; Pen and brown ink, brown and blue
RM2AX6R7J–Nuremberg and its art to the end of the 18th century. . Fig. 114. Faijade on the court of no. 34, Karolinenstrasse.Photograph by F. Schmidt. the dates 1578 and 1596. Painting had an important part in its decoration,both inside and outside. Towards the end of the 16 century, the gable,—just seen to have beenso richly adorned in the Peller House (of 1605),—had again been generallyadopted as a decorative architectural feature. Either it was, as in the Peller GABLES. i6i House, erected in front of a sloping roof, or houses again turned their gableends to the streets. The latter was the case with t
RM2DMT0WX–Apes imitating hunters, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. In the foreground, right, a group of men, washing their eyes, using the basins. In the middle ground, a number of apes imitates them. At lower left: 'Ioan. Stradanus invent.'; at left center: 'Ioan. Collaert Sculp.'; at lower right: 'Phls Galle excud.' Below: 'QUO VENATORES OCULUS...', Netherlands, 1596 or after, figures, Print
RF2HKM9YE–Art inspired by Siege of Baghdad, folio from an illuminated manuscript of the History of Genghis Khan, Khem Karan, Indian, active c.1580-c.1605, Indian, Mughal period, 1526-1858, reign of Akbar, Mughal, reigned 1556-1605, 1596, Ink, opaque watercolor, and gold on paper, Made in Lahore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMP4X0–The Roman Consul Attilius Regulus Fighting a Giant African Serpent, plate 25 in the Venationes Ferarum series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. The serpent is in the center of the composition, middle ground, surrounded by foot-soldiers and horsemen firing cannon and arrows at him. At lower left: 'Phls Galle excud.'; near lower right: 'Joan Stradanus inuent. / Car. de Mallery Sculp.' Below: 'ATTILIUS CONSUL ROMANUS.', Netherlands, 1596 or after, figures, Print
RF2HW8MK5–Art inspired by Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan), ca. 1596, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Page: 15 x 10 in. (38.1 x 25.4 cm), Codices, Basawan (Indian, active ca. 1556, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMRTYG–Buffalo Hunt, plate 27 in the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters on horseback and on foot, armed with spears, have surrounded a group of oxen. The hunters' dogs attack one animal, foreground. At lower left: 'Ioan Stradanus invent. Ioan. Collaert Sculp.' At right: 'Phls. Galle excud.' Below: 'BUBALUS AGRESTIS, RABIDUS, TRUX ET FERUS EST BOS...', Netherlands, 1596, figures, Print
RM2A505AM–Antelope and deer hunt, c. 1602-1604. The Mughals used trained cheetahs to capture prey during hunting expeditions in the wilderness. The metaphor of the hunt was also a potent image in Persian literature, in which the protagonist finally achieves a desired goal. The central image of the cheetah catching the black antelope—a frequently repeated visual trope—resonates with the desire of Prince Salim (who was passionate about hunting) to capture the throne of the Mughal Empire from Akbar, his father. Between 1600 and 1605, when Prince Salim set up his own royal court in defiance of
RM2DMEX5A–Catching Night Moths, plate 25 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Cornelis Galle I, Flemish, 1576 - 1650, Philips Galle, Flemish, 1537 - 1612, Black ink on paper, Horizontal rectangle. The apiary is at right. In the foreground, the bee-masters are beating the bushes, driving out the moths hidden in them toward flaming lamps set up on the ground. At lower left: 'I. Stradanus inv. C Galle sculp'; at lower right: 'Phls Galle excud.' Below: 'MELLIFERIS INFESTI APIBUS SUNT PAPILIONES...', Netherlands, 1596, figures, Print
RF2B9CM73–The Arno with Fishermen, Stradanus (Flemish, 1523 - 1605), Netherlands, between 1580 and 1596, Pen and brown ink, brown and blue wash, and white gouache heightening on gray paper, irregular section cut out and replaced at bottom center by artist, 20.3 × 30 cm (8 × 11 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HB2RAM–Siege of Baghdad, folio from an illuminated manuscript of the History of Genghis Khan, Khem Karan, Indian, active c.1580–c.1605, Indian, Mughal period, 1526–1858, reign of Akbar, Mughal, reigned 1556–1605, 1596, Ink, opaque watercolor, and gold on paper, Made in Lahore, Punjab province, Southern Asia, Pakistan, Asia, Drawings & watercolors, paintings, image: 13 3/4 x 8 7/8 in. (34.9 x 22.5 cm
RMMNXR5K–The War Elephants Citranand and Udiya Collide in Battle . This painting from the Akbarnama (Book of Akbar) is the left half of a double-page composition. The other side is Museum no. IS.2: 63-1896. It depicts the elephant Citranand attacking another, called Udiya, during the Mughal campaign against the rebel forces of Khan Zaman and Bahadur Khan in 1567. The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of
RM2DMH7WH–Cavemen Chasing Elephants, plate 3 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. In center foreground, an elephant is attacked from the rear by one of the pygmies, while two others prepare to leap from the tree, left. In the background, the Troglodytes are cutting up and carrying off the carcass of an elephant. At left center: 'Ioan. Stradanus invent. / Ioan Collaert Sculp'; right of center, below: 'Phls. Galle
RMMP6MBT–CIS:IS.2:31-1896 The Victory of the Imperial Mughal Army over Sultan Adam . This illustration to the Akbarnama (Book of Akbar) depicts the victory of the imperial Mughal army, led by Qutb ud-Din and Sharif Khan, over Sultan Adam of Ghakkar (now in north-east Pakistan), in the Panjab in 1563. Three court artists – Tulsi, Bhawani and Sanwala – worked on the painting. The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s pa
RMPB1MK0–The Reformed Courtier. Artist: After Grégoire Huret (French, Lyon 1606-1670 Paris); Jean Couvay (French, Arles ca. 1605-1663 Paris). Dimensions: Sheet: 12 1/8 × 8 1/8 in. (30.8 × 20.6 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2DM8JJG–Recto: Alexander the Great watching a Fight between his Dog, and Elephant, and a Lion; Verso: Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch. 61, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and grey-brown wash on white laid paper, Alexander the Great watches from one of three boxes shown in the background. A foot of a dog is shown below, at right., Italy, 1596 or before, figures, Drawing
RMMNTH1B–. 'Portrait of Rup Singh', Folio from the Shah Jahan Album Painting by Govardhan (active ca. 1596–1645) Calligrapher: Sultan 'Ali al-Mashhadi (active late 15th–early 16th century) Object Name: Album leaf Reign: Jahangir (1605–27), verso Date: verso: ca. 1615–20; recto: ca. 1500 Geography: India Medium: Ink, opaque watercolor, and gold on paper Dimensions: Page: H. 15 5/16 in. (38.9 cm) W. 10 1/8 in. (25.7 cm) Painting with border: H. 8 13/16 in. (22.4 cm) W. 6 5/16 in. (16 cm) Painting without border: H. 5 7/8 in. (14.9 cm) W. 3 1/2 in. (8.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14
RMW571CA–Ship's carpenter's drill with a hollowed-out spoon, a handle with a round cross-section and protruding wings, a handle with a round cross-section and protruding wings. Such a drill is depicted on the plate between folio 26 and 27 by Gerrit de Veer (edition 1605). Lepelavegaar, Nova Zembla, Behouden Huys, Willem Barendsz, Jacob van Heemskerck, anonymous, c. 1590 - c. 1596, iron (metal), forging, l 88.5 cm × w 7 cm × d 4.1 cm
RM2W93GJ1–Ship carpermans drill with a hollowed spoon, a handle with round cross -section and excellent wings, anonymous, c. 1590 - c. 1596 drill Ship carpermans drill with a hollowed spoon, a handle with round cross -section and excellent wings. Such a drill is shown on the plate between Folio 26 and 27 of Gerrit de Veer (Uigave 1605). Spoon gap. iron (metal) forging Nova Zembla. Saving Huys
RM2DMKAA1–Recto: Fight between Elephants and Snakes, from Pliny's Natural History (book 8, ch.11-12); Verso: inscription relating to source material, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid paper, Horizontal rectangle. An elephant struggling with a serpent, in the foreground. The serpent grasps the trunk of the elephant between its jaws. At right, another serpent, coiled about a tree, threatens an elephant standing behind a tree, center., Netherlands, 1596 or before, landscapes, Drawing
RM2HJ2KA6–'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan) ca. 1596 Basawan Indian The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556–1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba Khan, an ancestor of Genghis Khan, with his wife and nine sons.. 'Tumanba Khan, His Wife, and His Nine Sons', Folio from a
RM2DN202M–Recto: Battle between Pygmies and Cranes; Verso: inscription relating to Pliny the Elder's Natural History, Book 7, ch. 2, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on paper, The Pygmies are riding goats and sheep and battle with lances and bows. They attack from the right. the birds come from the left. In the right back Pygmies mounted and on foot flee. Verso: inscription referring to Pliny the Elder's account in the Natural History, book 8 chaper 26, Netherlands, 1596 or before, Drawing
RM2AM3A83–Wanderings in the Roman campagna . f this altarthe mosaic image of Pope Innocent III, in the act oflistening to the dove which alighted on his shoulder©n the day of his coronation, once set up in the tribuneof St. Peters. The other, on the right, is the portrait ofPope Gregory IX, once set up in the facade of the samechurch. They were given to Lotario Conti as familyrelics, the first by Clement VIII in the year 1596, theother by Paul V in 1605. The last event to be chronicled in connection with theVilla Catena is the visit paid to it in the spring of 1723by the last pope of the Conti family, I
RMJ4N2B7–Germany, Hessen, Groß-Umstadt, Renaissance city hall, splendour portal, coat of arms, window, ode wood, town, Old Town, mark square, city hall, building, structure, Renaissance, input, portal, detail, city arms, Kurpfalz coat of arms, Hesse-Darmstadt coat of arms, window box, flowers, red,
RM2A52MFT–The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247-1318), c. 1596. Akbar, the third Mughal emperor of India, commissioned an illustrated copy of the Chingiz-nama, a historical text written in Persian during the early 1300s by a Jewish scholar who converted to Islam. The Chingiz-nama is an account of the conquests of Akbar’s ancestors, the Mongols, who swept across the Asian continent from Siberia to the Mediterranean Sea during the 1200s. This page describes the final
RFRAEWHM–The Arno with Fishermen, Stradanus (Flemish, 1523 - 1605), Netherlands, between 1580 and 1596, Pen and brown ink reimagined
RMPB0DXJ–The Reformed Woman. Artist: After Grégoire Huret (French, Lyon 1606-1670 Paris); Jean Couvay (French, Arles ca. 1605-1663 Paris). Dimensions: Sheet: 12 3/16 × 8 3/16 in. (31 × 20.8 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMAAWJ0–. Early British botanists and their gardens . (iitlm Clari^mus & piiffimus V.D. G:tiLCoy: Coys' Yucca, after Lobel, 1605. of Essex, Esq who decessed ye 13*^ Day of March 1617 who had issue 8 sonnes and 6 daughters And here's the worst that envious Death could doe Let loose two soules that long'd to Heaven to goe. Of his fourteen children, Matthew, bapt. 1594, bur. 1595 ; Daniel, bur. 1595 ; Maralah, b. 1596; Matthew, bapt. 1596; and Sylvanus, bur. 1613, are ali mentioned in the Register. Giles Coys, whose children were born between 1627 and 1632, was the eldest son. The signatures of both
RM2HHFKWG–The Martyrdom of Saint Clement I, Pope 1596–97 Agostino Ciampelli Italian This sheet constitutes a study, with several variations, for a fresco painted by Agostino Ciampelli in 1596-1597 on one of the end walls of the Canon's Sacristy in San Giovanni in Laterano, Rome, on the commission of Pope Clement VIII Aldobrandini (r. 1592-1605). The lunette-shaped fresco is pierced by a central door, and the reserves at lower left and right in the drawing indicate places for cupboards. The apocryphal acts of Pope Clement I (died ca. A.D. 99) recount that he was banished by Trajan to Crimea where he had
RM2DN36YF–Whale Hunt by the Emperor Claudius in the harbour at Ostia, pl. 19 in the Venationes Ferarum, Avium, Piscium series, Adriaen Collaert, Flemish, ca. 1560 – 1618, Philips Galle, Flemish, 1537 - 1612, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Engraving on paper, Figural seascape scene, with groups in the foreground observing an orca sea monster trapped within a walled area. A statue and a tower at right. Open boats filled with men surround the monster, while spectators watch from the wall., Netherlands, 1596 or after, figures, Print
RM2TDXD5H–Jug with three coats of arms in medallions, anonymous, c. 1596 - c. 1605 Can be made of stoneware on the standing surface with a cylindrical body, round shoulder and narrow neck with pinched spout. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, shoulder and belly. The belly is covered with horizontally taken lines. In this, it is saved three times a Ingrift Medallon containing a printed and imposed medallion with three weapons (government weapons, family crest von Merlan and the coat of arms of the city of Nuremberg) and the date '1596'. Just above the foot a stam
RMRG6RKJ–. Bulletin - United States National Museum. Science. ROBBER FLIES OF THE WORLD 747. Figures 1596-1613.—1596, Cryptopogon vernaculus White. 1597, Ctenota molitrix Loew. 1598, Lag- odias laticornis Loew. 1599, Chrysopogon sp. 1600, Cyanonedys sp. 1601, Cyanonedys lugubris Hermann. 1602, Acrochordomerus aeneiis Her- mann. 1603, Pararatus macrostylus Loew. 1604, Lecania genitalis Bromley. 1605, Dysclytus firma- tus Walker. 1606, Systropalpus aurivulpes, new species. 1607, Enigmomorpheus paradoxus Her- mann. 1608, Dassylina fulvithorax Bromley, 1609, Hyperechia sp. 1610, Smeringolaphria sp. 1611, B
![A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. According to Akbar's court historian, the emperor ordered likenesses to be taken of the grandees of his realm. "An immense album was thus formed: those that have passed away have received a new life, and those who are still alive have immortality promised them." Akbar's son and successor, Jahangir (reigned 1605-27), continued the tradition of commissioning works of lifelike portraiture for inclusion in imperial albums. This courtier wears an opulent fur-trimmed, fringed velvet coat over his belted whit Stock Photo](https://c8.alamy.com/comp/2A4YY0J/a-courtier-possibly-khan-alam-holding-a-spinel-and-a-deccan-sword-c-1605-1610-according-to-akbars-court-historian-the-emperor-ordered-likenesses-to-be-taken-of-the-grandees-of-his-realm-quotan-immense-album-was-thus-formed-those-that-have-passed-away-have-received-a-new-life-and-those-who-are-still-alive-have-immortality-promised-themquot-akbars-son-and-successor-jahangir-reigned-1605-27-continued-the-tradition-of-commissioning-works-of-lifelike-portraiture-for-inclusion-in-imperial-albums-this-courtier-wears-an-opulent-fur-trimmed-fringed-velvet-coat-over-his-belted-whit-2A4YY0J.jpg "A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. According to Akbar's court historian, the emperor ordered likenesses to be taken of the grandees of his realm. "An immense album was thus formed: those that have passed away have received a new life, and those who are still alive have immortality promised them." Akbar's son and successor, Jahangir (reigned 1605-27), continued the tradition of commissioning works of lifelike portraiture for inclusion in imperial albums. This courtier wears an opulent fur-trimmed, fringed velvet coat over his belted whit Stock Photo")
RM2A4YY0J–A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. According to Akbar's court historian, the emperor ordered likenesses to be taken of the grandees of his realm. "An immense album was thus formed: those that have passed away have received a new life, and those who are still alive have immortality promised them." Akbar's son and successor, Jahangir (reigned 1605-27), continued the tradition of commissioning works of lifelike portraiture for inclusion in imperial albums. This courtier wears an opulent fur-trimmed, fringed velvet coat over his belted whit
RF2B9B7F5–Ship's carpenter's drill with a hollowed-out spoon, a handle with a round cross-section and protruding wings, a handle with a round cross-section and protruding wings. Such a drill is depicted on the plate between folio 26 and 27 by Gerrit de Veer (edition 1605). Lepelavegaar, Nova Zembla, Behouden Huys, Willem Barendsz, Jacob van Heemskerck, anonymous, c. 1590 - c. 1596, iron (metal), forging, l 88.5 cm × w 7 cm × d 4.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, e
RMPAB4A1–'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan). Artist: Basawan (Indian, active ca. 1556-1600); Bhim Gujarati (active 1590s). Dimensions: Page: 15 x 10 in. (38.1 x 25.4 cm). Date: ca. 1596. The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556-1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba K
RM2DN202N–Recto: Bull hunt with Lassos; Verso, above: Bear hunt by Men in Armor; Verso, below: Hunting Monkeys by Deception; all preliminary designs for the Venationes series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on paper., Recto: Men on horseback lasso bulls with long poles and ropes. Reverse, upper right: men in armor attacked by bears. Bottom: monkeys washing themselves in basin. In the background, humans washing themselves in a similar way, Netherlands, 1596 or before, Drawing
RM2WFTA1N–Tsar Fedor Borissowitz dies poisoned in prison, 1605 / Philips II, King of Spain is included in the hut of a poor farmer, ca. 1560 / wirich von daun, count of Falkenstein, killed by Spaniards, 1598 / Monniken from A monastery near Linz are hung on the walls of their monastery in the Boer War, 1596, Jan Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching prison, jail. violent death by poison. farm (building) - AA - civic architecture: inside. watermill in landscape. murder. monk(s), friar(s). violent death by hanging. cloisters monastery Linz
RM2H0YCXJ–A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605–10. Attributed to Govardhan (Indian, active c.1596-1645). Gum tempera, ink, and gold on paper, text on verso; page: 17.8 x 12.5 cm (7 x 4 15/16 in.). According to Akbar's court historian, the emperor ordered likenesses to be taken of the grandees of his realm. 'An immense album was thus formed: those that have passed away have received a new life, and those who are still alive have immortality promised them.' Akbar's son and successor, Jahangir (reigned 1605-27), continued the tradition of commissioning works of life
RM2H0Y2A9–A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. Attributed to Govardhan (Indian, active c.1596-1645). Gum tempera, ink, and gold on paper, text on verso; page: 17.8 x 12.5 cm (7 x 4 15/16 in.). According to Akbar's court historian, the emperor ordered likenesses to be taken of the grandees of his realm. 'An immense album was thus formed: those that have passed away have received a new life, and those who are still alive have immortality promised them.' Akbar's son and successor, Jahangir (reigned 1605-27), continued the tradition of commissioning works of li
![Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. The text on this page tells of how the Mongols conquered Syria and defeated the lords of the powerful Ismaili sect of Islam. In red are the names of Hulagu Khan and his brother Mongke Khan, Mongol overlords of the region. Also in red are the words "first" through "seventh," after each of which the names of all the previous Ismaili lords until the last are listed. The long title in red begins Stock Photo](https://c8.alamy.com/comp/2A5173K/hulagu-khan-giving-a-feast-and-dispensing-favor-upon-the-amirs-and-princes-from-a-chingiz-nama-book-of-chingiz-khan-of-the-jami-al-tavarikh-compendium-of-chronicles-c-1596-1600-the-text-on-this-page-tells-of-how-the-mongols-conquered-syria-and-defeated-the-lords-of-the-powerful-ismaili-sect-of-islam-in-red-are-the-names-of-hulagu-khan-and-his-brother-mongke-khan-mongol-overlords-of-the-region-also-in-red-are-the-words-quotfirstquot-through-quotseventhquot-after-each-of-which-the-names-of-all-the-previous-ismaili-lords-until-the-last-are-listed-the-long-title-in-red-begins-2A5173K.jpg "Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. The text on this page tells of how the Mongols conquered Syria and defeated the lords of the powerful Ismaili sect of Islam. In red are the names of Hulagu Khan and his brother Mongke Khan, Mongol overlords of the region. Also in red are the words "first" through "seventh," after each of which the names of all the previous Ismaili lords until the last are listed. The long title in red begins Stock Photo")
RM2A5173K–Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. The text on this page tells of how the Mongols conquered Syria and defeated the lords of the powerful Ismaili sect of Islam. In red are the names of Hulagu Khan and his brother Mongke Khan, Mongol overlords of the region. Also in red are the words "first" through "seventh," after each of which the names of all the previous Ismaili lords until the last are listed. The long title in red begins
RF2B9AACM–Jug with three coats of arms in medallions, Stoneware jug on a stand surface with a cylindrical body, round shoulder and narrow neck with pinched spout. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, shoulder and abdomen. The belly is covered with horizontally incised lines. Three times a engraved medallion with a printed and imposed medallion with three weapons (State Coat of Arms, family crest Von Merlan and the coat of arms of the city of Nuremberg) and the date '1596' were saved. Just above the foot a stamped band with leaf motifs. A mask embossed on the neck.
RMRX5EAH–The Invention of Oil Painting. Théodoor Galle (Flemish, 1571-1633); after Joannes Stradanus (Flemish, 1523-1605). Date: 1586-1596. Dimensions: 203 × 270 mm (image/sheet, trimmed within plate mark). Engraving, with plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Author: Theodoor Galle. Jan Collaert I. called Stradanus After Jan van der Straet.
RM2DMPX58–Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, A busy art studio, with a group of artists and students at work. At the center, a painter works on a large canvas where an image of St. George and the Dragon is visible. Assistants prepare pigment. A student in the foreground copies a sculpture; another painter at background left portrays a seated woman from life., Antwerp, Netherlands, ca. 1596, Print
![Recto: Elephants Hunted by Troglodytes [Cavemen]; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.8, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, A herd of elephants is shown trotting backwards in a hilly country. Palm trees stand laterally in the foreground. Two dwarves are ready to spring from them, as did a third who, holding the tail and standing upon a knee, raises an axe with his left hand to cut horns of the knees of the animal he caught, the last one., Netherlands, 1596 or before, Drawing Stock Photo](https://c8.alamy.com/comp/2DM9W0H/recto-elephants-hunted-by-troglodytes-cavemen-verso-inscription-relating-to-pliny-the-elders-natural-history-book-8-ch8-jan-van-der-straet-called-stradanus-flemish-15231605-pen-and-ink-brush-and-wash-on-paper-a-herd-of-elephants-is-shown-trotting-backwards-in-a-hilly-country-palm-trees-stand-laterally-in-the-foreground-two-dwarves-are-ready-to-spring-from-them-as-did-a-third-who-holding-the-tail-and-standing-upon-a-knee-raises-an-axe-with-his-left-hand-to-cut-horns-of-the-knees-of-the-animal-he-caught-the-last-one-netherlands-1596-or-before-drawing-2DM9W0H.jpg "Recto: Elephants Hunted by Troglodytes [Cavemen]; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.8, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, A herd of elephants is shown trotting backwards in a hilly country. Palm trees stand laterally in the foreground. Two dwarves are ready to spring from them, as did a third who, holding the tail and standing upon a knee, raises an axe with his left hand to cut horns of the knees of the animal he caught, the last one., Netherlands, 1596 or before, Drawing Stock Photo")
RM2DM9W0H–Recto: Elephants Hunted by Troglodytes [Cavemen]; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.8, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, A herd of elephants is shown trotting backwards in a hilly country. Palm trees stand laterally in the foreground. Two dwarves are ready to spring from them, as did a third who, holding the tail and standing upon a knee, raises an axe with his left hand to cut horns of the knees of the animal he caught, the last one., Netherlands, 1596 or before, Drawing
RM2DMA41B–Recto: Crocodile Hunt in Tentyra, in Egypt; Verso: inscription relating to Pliny the Elder's Natural History, Book 7, ch. 38, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Black chalk, pen and ink, brush and brown wash on laid paper, Five men are seated astride crocodiles, wrestling the animals and holding their jaws open with with sticks. Two are in the water of the Nile, while three more are on the bank at left. One of the latter is being killed by blows upon the head. On the verso, an inscription citing Pliny the Elder explains describes the scene., Netherlands, 1596 or before
RM2H0Y2AH–Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. Lal (Indian, active c. 1555–1600), Dharam Das (Indian, active c. 1580–1605), Padarath (Indian, active late 1500s). Opaque watercolor, ink, and gold on paper, text on verso; page: 38.4 x 25.2 cm (15 1/8 x 9 15/16 in.); painting: 33.3 x 21.1 cm (13 1/8 x 8 5/16 in.). The text on this page tells of how the Mongols conquered Syria and defeated the lords of the powerful Ismaili sect of Islam. In red are the names of
RMRY7YF5–Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. Lal (Indian, active c. 1555–1600), Dharam Das (Indian, active c. 1580–1605), Padarath (Indian, active late 1500s). Opaque watercolor, ink, and gold on paper, text on verso; page: 38.4 x 25.2 cm (15 1/8 x 9 15/16 in.); painting: 33.3 x 21.1 cm (13 1/8 x 8 5/16 in
RM2A502F0–Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551-1602), c. 1602-3; borders added c. 1700s. This painting is from a biography of Akbar made shortly before his death. It depicts a historical event from early in his reign when he encountered a herd of wild elephants and captured many of them for his royal stables. Akbar rides horseback in the upper left, directing his men as two trained elephants give chase in the foreground. The Mughals caught wild elephants by chasing them with tame elephants, then
RM2DN2028–Recto: Whale Hunt by the Emperor Claudius in the harbour at Ostia; Verso: inscription relating to Pliny the Elder's Natural History, Book 9, ch. 5, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Recto: A large sea-serpent is contained within an oval ringed enclosure. A group of people, right, watch the activities of a number of men, in open boats, who attack the serpent. Verso: seven lines of inscription, describing the scene as told by Pliny the Elder in his Natural History, book 9 ch.5, Netherlands, 1596 or before, Drawing
RM2DM9RY7–Recto, above, Standing Indian figure,Oyster Shells. Recto, below: Elephants Helping Each Other Out of a Trap, from Pliny's Natural History, Book 8, ch. 8; Verso, above: Using Fire to kill Watersnakes in India; Verso, below: Snake and annotations, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid paper, Vertical rectangle. Top: Figure in armor and oyster shells; six lines of handwriting, inscription. Bottom: Elephant carrying logs. Reverse, top: Burning of snakes. Bottom: Account notations., Netherlands, 1596 or before, figures, Drawing
RMPAMC10–Cléobule. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Claude Vignon (French, Tours 1593-1670 Paris); Jean Couvay (French, Arles ca. 1605-1663 Paris). Dimensions: sheet: 14 1/16 x 8 5/16 in. (35.7 x 21.1 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Les Sept Sages de la Grèce. Date: ca. 1639-40. Museum: Metropolitan Museum of Art, New York, USA.
RMW55T33–Jug with three coats of arms in medallions, Stoneware jug on a stand surface with a cylindrical body, round shoulder and narrow neck with pinched spout. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, shoulder and abdomen. The belly is covered with horizontally incised lines. Three times a engraved medallion with a printed and imposed medallion with three weapons (State Coat of Arms, family crest Von Merlan and the coat of arms of the city of Nuremberg) and the date '1596' were saved. Just above the foot a stamped band with leaf motifs. A mask embossed on the neck
RMKC721M–'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan), Basawan, ca. 1596
RM2DMNWFA–A Roman Soldier Fighting one of Hannibal's Elephants, pl. 7 in the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, Horizontal rectangle. Public combat between armeed warriors and an elephant. All of the warriors have fallen, except one, who faces the elephant, his sword upraised. A portion of the elephant's trunk has been severed. Spectators in enclosures, right and rear. Left to center, below: 'Ioan. Stradanus invent. / Carol de Mallery Sculp. / Phls Galle
RM2DMA3CK–Recto: A Roman Soldier Fighting one of Hannibal's Elephants; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.7, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash, over black chalk on laid paper, A group of fighting Romans is in the left foreground; three standing see a lying one. At right is the battle of the elephant with the soldier. A trunk is roughly outlined below. In the left background is a box in which Hannibal is seated surrounded by standing persons. In the right background are fighting soldiers
RM2DMR9Y5–Crocodile Hunt in Tentyra, in Egypt, plate 30 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Black ink on paper, Horizontal rectangle. The jaws of the crocodiles are pried open and a stick inserted to render them helpless while they are clubbed to death. At lower right, in the foreground, one man sits astride a crocodile, holding the stick in place, while two others prepare to use their clubs. Near lower right: 'Ioan. Stradanus / invent..Carolus de / Mallery Sculp.
RMPB5021–Périandre. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Claude Vignon (French, Tours 1593-1670 Paris); Jean Couvay (French, Arles ca. 1605-1663 Paris). Dimensions: sheet: 13 7/8 x 8 5/16 in. (35.2 x 21.1 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Les Sept Sages de la Grèce. Date: ca. 1639-40. Museum: Metropolitan Museum of Art, New York, USA.
RM2DN2032–Four Preliminary Designs for the Venetiones Series: Recto, above: Fishing for Tuna; Recto, below: Hunting crocodile with a Pig as Bait; Verso, above: Indians catching fish with the help of pelicans; Verso, below: Boar hunt with Shotguns;, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on paper, Vertical rectangle. Obverse: Two scenes - top, Fishing. Men in open tuna fishing boats have caught fish in large nets; below, alligator hunt. Pigs used as bait. Hunters at left. Reverse: two scenes, top - fishing, using pelicans
RMRX5MW5–Still Life with Travelling Trunk. attributed to Leonard Bramer (Dutch, 1596-1674); published by Theodor Matham (Dutch, 1605/06-1676). Date: 1640-1654. Dimensions: 136 x 186 mm. Etching in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute.
RM2DN203A–Recto: Four Hunting Scenes, designs for the Venationes print series; Verso: Plan of a Fortified City, and notes by Luigi Alamanni regarding the Nova Reperta series (verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on laid paper, Recto: Four scenes, upper left, hunting rabbits with leopards, lower left, hunting rabbits with dogs; upper right, fishing; lower right, trapping birds. All designs for the Venationes series. Verso: above, fifteen lines of inscription in the hand of Luigi Alamanni, relating to prints in the Nova Reperta series
RM2DMEMXB–Fight between Elephants and Snakes, plate 2 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. An elephant is attacked by a serpent, right foreground. Another serpent, in a tree, left, watches an approaching elephant. In the background, Troglodytes cut up and carry off the carcass of an elephant. Left of center, below: 'Ioan Stradanus invent.'; right of center, below: 'Carol de Mallery Sculp.'; lower right: 'Phls Galle excud.'
RM2DMW9H2–Elephants Helding Each Other out of a Trap, plate 1 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. An elephant is trapped in a deep pit, in the middle ground. Other elephants carry stones and tree trunks in an effort to rescue him. Inscribed on stone, near left center: 'Ioan Stradanus invent. / Ioan Collaert Sculp.' At lower right: 'Phls Galle excud.' Below: HUNC SERVANT MOREM NATURAE INSTINCTII ELEPHANTIS
RM2DMK9J3–Recto: Hunting Ducks using Pumpkins in the West Indies; Verso, above: Crocodile Hunt in the Nile; Verso, below: Hunting Tigers using Traps and Mirrors, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on laid paper, Horizontal rectangle. Obverse: Hunters using headpieces in the shape of ducks to serve as decoys in trapping the birds. Hunters submerged in the water wearing the headgear. Left, two hunters putting on the headpieces (gourd). Reverse: top - in the background, a pig used as a decoy in trapping alligators. Two alligators in the foreground
RMRXA001–Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute.
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