. Trees and shrubs : an abridgment of the Arboretum et fruticetum britannicum : containing the hardy trees and schrubs of Britain, native and foreign, scientifically and popularly described : with their propagation, culture and uses and engravings of nearly all the species. Trees; Shrubs; Forests and forestry. S5i. C. purpiireus C. Flowers yellow. jn 15. C. elongaVus Waldst. et Kit. The elongated Cytisus. Identi/kation. Waldst. et Kit. Hung., 2. p. 200. t. 183.; Dec. Prod., 2. p. 1,?6.; Don's Mill., 2. p. 165. Engravings. Waldst. et Kit. Hung., t. 183.; and our^. 356. Spec. Char., Sfc. Stems e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trees-and-shrubs-an-abridgment-of-the-arboretum-et-fruticetum-britannicum-containing-the-hardy-trees-and-schrubs-of-britain-native-and-foreign-scientifically-and-popularly-described-with-their-propagation-culture-and-uses-and-engravings-of-nearly-all-the-species-trees-shrubs-forests-and-forestry-s5i-c-purpiireus-c-flowers-yellow-jn-15-c-elongavus-waldst-et-kit-the-elongated-cytisus-identikation-waldst-et-kit-hung-2-p-200-t-183-dec-prod-2-p-16-dons-mill-2-p-165-engravings-waldst-et-kit-hung-t-183-and-our-356-spec-char-sfc-stems-e-image216414313.html
RMPG2EJH–. Trees and shrubs : an abridgment of the Arboretum et fruticetum britannicum : containing the hardy trees and schrubs of Britain, native and foreign, scientifically and popularly described : with their propagation, culture and uses and engravings of nearly all the species. Trees; Shrubs; Forests and forestry. S5i. C. purpiireus C. Flowers yellow. jn 15. C. elongaVus Waldst. et Kit. The elongated Cytisus. Identi/kation. Waldst. et Kit. Hung., 2. p. 200. t. 183.; Dec. Prod., 2. p. 1,?6.; Don's Mill., 2. p. 165. Engravings. Waldst. et Kit. Hung., t. 183.; and our^. 356. Spec. Char., Sfc. Stems e
. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . a (( b Enteromorpha plumosa Kütz. a Stück der Alge in natürl. Grösse, h Ein Zweig 40mal vergr. c, d, e Ver- schiedene Stücke d. Aestchen. Vergr. ca. 200. (Nach Kütz.) E. crinita J. Ag. Till Algern. Syst. VI. p. 144. — Kütz. Tab. phyc. VI. Tab. 39? E. clatbrata Aresch. Alg. scand. exsic(^. No. 328. In der Xord- Ostsee. und 5. E. pliimosa Kütz. Fig. 189. Bildet 1—3 dm hohe wolkige Rasen vom Habitus einer zarten Cladophora. Thallus fadenförmig, später röhrig, sehr schlaff, reich verzweigt, fast borstendick, sel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dr-l-rabenhorsts-kryptogamen-flora-von-deutschland-oesterreich-und-der-schweiz-a-b-enteromorpha-plumosa-ktz-a-stck-der-alge-in-natrl-grsse-h-ein-zweig-40mal-vergr-c-d-e-ver-schiedene-stcke-d-aestchen-vergr-ca-200-nach-ktz-e-crinita-j-ag-till-algern-syst-vi-p-144-ktz-tab-phyc-vi-tab-39-e-clatbrata-aresch-alg-scand-exsic-no-328-in-der-xord-ostsee-und-5-e-pliimosa-ktz-fig-189-bildet-13-dm-hohe-wolkige-rasen-vom-habitus-einer-zarten-cladophora-thallus-fadenfrmig-spter-rhrig-sehr-schlaff-reich-verzweigt-fast-borstendick-sel-image178483972.html
RMMAAJ3G–. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . a (( b Enteromorpha plumosa Kütz. a Stück der Alge in natürl. Grösse, h Ein Zweig 40mal vergr. c, d, e Ver- schiedene Stücke d. Aestchen. Vergr. ca. 200. (Nach Kütz.) E. crinita J. Ag. Till Algern. Syst. VI. p. 144. — Kütz. Tab. phyc. VI. Tab. 39? E. clatbrata Aresch. Alg. scand. exsic(^. No. 328. In der Xord- Ostsee. und 5. E. pliimosa Kütz. Fig. 189. Bildet 1—3 dm hohe wolkige Rasen vom Habitus einer zarten Cladophora. Thallus fadenförmig, später röhrig, sehr schlaff, reich verzweigt, fast borstendick, sel
Nose Ornament with Spiders 100 B.C.–A.D. 200 Salinar Nose ornaments from the little-known Salinar culture, which flourished in the coastal river valleys of northern Peru from around 200 B.C.–300 A.D., are among the earliest body adornments discovered in the region. While some Salinar ornaments are simple in form and structure, others—such as the one shown here—are more complex in assembly and iconography. This ornament features four round-bodied spiders, their spindly legs and pincers carefully rendered in thin gold wire. Minute, circular wirework forms a delicate web spun skillfully around th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nose-ornament-with-spiders-100-bcad-200-salinar-nose-ornaments-from-the-little-known-salinar-culture-which-flourished-in-the-coastal-river-valleys-of-northern-peru-from-around-200-bc300-ad-are-among-the-earliest-body-adornments-discovered-in-the-region-while-some-salinar-ornaments-are-simple-in-form-and-structure-otherssuch-as-the-one-shown-hereare-more-complex-in-assembly-and-iconography-this-ornament-features-four-round-bodied-spiders-their-spindly-legs-and-pincers-carefully-rendered-in-thin-gold-wire-minute-circular-wirework-forms-a-delicate-web-spun-skillfully-around-th-image458486051.html
RM2HHWRHR–Nose Ornament with Spiders 100 B.C.–A.D. 200 Salinar Nose ornaments from the little-known Salinar culture, which flourished in the coastal river valleys of northern Peru from around 200 B.C.–300 A.D., are among the earliest body adornments discovered in the region. While some Salinar ornaments are simple in form and structure, others—such as the one shown here—are more complex in assembly and iconography. This ornament features four round-bodied spiders, their spindly legs and pincers carefully rendered in thin gold wire. Minute, circular wirework forms a delicate web spun skillfully around th
Mint: Sicily, Coin from Sicily, 399–200 B.C., Copper, 4.60 g, 9:00, 20 mm, Made in Sicily, Greek, 4th–3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-sicily-coin-fromsicily-399200-bc-copper-460-g-900-20mm-made-in-sicily-greek-4th3rd-century-bc-numismatics-image393383894.html
RM2DT054P–Mint: Sicily, Coin from Sicily, 399–200 B.C., Copper, 4.60 g, 9:00, 20 mm, Made in Sicily, Greek, 4th–3rd century B.C., Numismatics
Canadian grocer January-June 1910 . THE CANADIAN GROCER.. ESTABLISHED OVER 200 YEARS MALTVINEGAR IS THE BESTMade from the finest maltd barley. AGENTSW. S. Clawson & Co., South Wharf, St. John N.B w. H. Escott, 141 Ballantyne Ave. East. Winnipeg Green & Co.,25 Front Street East,Toronto. R. Robertson & Co., 912-913 Dominion Trust Blde..Vancouver.B.C.J. W. Snowdon, 413 St. Paul St., Montreal LONDON, ENGLANDCommands a Preferenc over all others. Wo are open to do business on easy conslgnntent terms Write our Agents for Particulars Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-grocer-january-june-1910-the-canadian-grocer-established-over-200-years-maltvinegar-is-the-bestmade-from-the-finest-maltd-barley-agentsw-s-clawson-co-south-wharf-st-john-nb-w-h-escott-141-ballantyne-ave-east-winnipeg-green-co25-front-street-easttoronto-r-robertson-co-912-913-dominion-trust-bldevancouverbcj-w-snowdon-413-st-paul-st-montreal-london-englandcommands-a-preferenc-over-all-others-wo-are-open-to-do-business-on-easy-conslgnntent-terms-write-our-agents-for-particulars-image338239457.html
RM2AJ83TH–Canadian grocer January-June 1910 . THE CANADIAN GROCER.. ESTABLISHED OVER 200 YEARS MALTVINEGAR IS THE BESTMade from the finest maltd barley. AGENTSW. S. Clawson & Co., South Wharf, St. John N.B w. H. Escott, 141 Ballantyne Ave. East. Winnipeg Green & Co.,25 Front Street East,Toronto. R. Robertson & Co., 912-913 Dominion Trust Blde..Vancouver.B.C.J. W. Snowdon, 413 St. Paul St., Montreal LONDON, ENGLANDCommands a Preferenc over all others. Wo are open to do business on easy conslgnntent terms Write our Agents for Particulars
vessel in form of a dog, Colima culture, 200 B.C.E. - 300 C.E., slipped and painted earthenware, 8-5/8 x 11-3/4 x 5 in., Native Arts of the Americas, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-in-form-of-a-dog-colima-culture-200-bce-300-ce-slipped-and-painted-earthenware-8-58-x-11-34-x-5-in-native-arts-of-the-americas-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349854885.html
RF2B957D9–vessel in form of a dog, Colima culture, 200 B.C.E. - 300 C.E., slipped and painted earthenware, 8-5/8 x 11-3/4 x 5 in., Native Arts of the Americas, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The fungi which cause plant disease . Plant diseases; Fungi. 550 THE FUNGI WHICH CAUSE PLANT DISEASE 100-200 X 4 /I, browTiish; conidia falcate, 25 x 4 n; conidiophores ovoid, 20 X 8 ii., hyaline to fuscous. This is believed to be the chief cause of the red rot of sugar- cane."* It was reported in" the United States by Edgerton,"^ also by Stevens.™ Inoculation experiments indicate that it is distinct from C. lineola, on sorghum and Johnson grass, which it resembles morphologically. C. cereale Manns."^ Spots circular to ovoid, 30 mm.; acervuli dark brown, or black; setae f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fungi-which-cause-plant-disease-plant-diseases-fungi-550-the-fungi-which-cause-plant-disease-100-200-x-4-i-browtiish-conidia-falcate-25-x-4-n-conidiophores-ovoid-20-x-8-ii-hyaline-to-fuscous-this-is-believed-to-be-the-chief-cause-of-the-red-rot-of-sugar-canequot-it-was-reported-inquot-the-united-states-by-edgertonquot-also-by-stevens-inoculation-experiments-indicate-that-it-is-distinct-from-c-lineola-on-sorghum-and-johnson-grass-which-it-resembles-morphologically-c-cereale-mannsquot-spots-circular-to-ovoid-30-mm-acervuli-dark-brown-or-black-setae-f-image216451235.html
RMPG45N7–. The fungi which cause plant disease . Plant diseases; Fungi. 550 THE FUNGI WHICH CAUSE PLANT DISEASE 100-200 X 4 /I, browTiish; conidia falcate, 25 x 4 n; conidiophores ovoid, 20 X 8 ii., hyaline to fuscous. This is believed to be the chief cause of the red rot of sugar- cane."* It was reported in" the United States by Edgerton,"^ also by Stevens.™ Inoculation experiments indicate that it is distinct from C. lineola, on sorghum and Johnson grass, which it resembles morphologically. C. cereale Manns."^ Spots circular to ovoid, 30 mm.; acervuli dark brown, or black; setae f
. Fig. 109. JHiicor fusiger Link. A rruchttriiger uuil Sporangium; B Sporen; C Luftmycel mit copulieren- den Ästen; D reife Zj-gospore. {A etwa 30/1, B 200/1, C, D etwa 100/1.) (Nacli der Natur.) Fig. 110. Zygosporeu. A von Phycomijces nitois Kunze et Schmidt; B von Absidia stptata van Tieghem. {A 50/1, B 250/1.) (A nach van Tieghem et Le Monnier; B nach van Tieghem.) 2. Phycomyces Kunze et Schmidt. Mycel in die Nährsubstanz eingesenkt^ reich verzweigt. Fruchtträger steif aufrecht, ungeteilt. Sporangien endständig, mit Columella. Zygosporen außerhalb des Substrats gebildet, copulierende Äste a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-109-jhiicor-fusiger-link-a-rruchttriiger-uuil-sporangium-b-sporen-c-luftmycel-mit-copulieren-den-sten-d-reife-zj-gospore-a-etwa-301-b-2001-c-d-etwa-1001-nacli-der-natur-fig-110-zygosporeu-a-von-phycomijces-nitois-kunze-et-schmidt-b-von-absidia-stptata-van-tieghem-a-501-b-2501-a-nach-van-tieghem-et-le-monnier-b-nach-van-tieghem-2-phycomyces-kunze-et-schmidt-mycel-in-die-nhrsubstanz-eingesenkt-reich-verzweigt-fruchttrger-steif-aufrecht-ungeteilt-sporangien-endstndig-mit-columella-zygosporen-auerhalb-des-substrats-gebildet-copulierende-ste-a-image180021361.html
RMMCTK29–. Fig. 109. JHiicor fusiger Link. A rruchttriiger uuil Sporangium; B Sporen; C Luftmycel mit copulieren- den Ästen; D reife Zj-gospore. {A etwa 30/1, B 200/1, C, D etwa 100/1.) (Nacli der Natur.) Fig. 110. Zygosporeu. A von Phycomijces nitois Kunze et Schmidt; B von Absidia stptata van Tieghem. {A 50/1, B 250/1.) (A nach van Tieghem et Le Monnier; B nach van Tieghem.) 2. Phycomyces Kunze et Schmidt. Mycel in die Nährsubstanz eingesenkt^ reich verzweigt. Fruchtträger steif aufrecht, ungeteilt. Sporangien endständig, mit Columella. Zygosporen außerhalb des Substrats gebildet, copulierende Äste a
Apis figure inscribed for Padishernefer son of Khonsuirdis 664–200 B.C. Late Period–Ptolemaic Period The worship of the Apis bull is attested as early as Dynasty I. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. Similar markings are easily visible on Apis acc. no. 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apis-figure-inscribed-for-padishernefer-son-of-khonsuirdis-664200-bc-late-periodptolemaic-period-the-worship-of-the-apis-bull-is-attested-as-early-as-dynasty-i-a-single-living-representative-was-stabled-near-the-ptah-temple-in-memphis-the-bull-selected-for-this-important-role-had-certain-colorful-markings-such-as-a-white-triangle-on-the-forehead-and-black-patches-resembling-winged-birds-or-scarabs-on-the-body-the-bull-is-often-shown-as-here-wearing-a-large-sun-disc-a-banded-collar-and-a-decorated-rectangular-cloth-on-its-back-similar-markings-are-easily-visible-on-apis-acc-no-1-image458485137.html
RM2HHWPD5–Apis figure inscribed for Padishernefer son of Khonsuirdis 664–200 B.C. Late Period–Ptolemaic Period The worship of the Apis bull is attested as early as Dynasty I. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. Similar markings are easily visible on Apis acc. no. 1
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.16 g, 1:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-516-g-100-16mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393183966.html
RM2DRK24E–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.16 g, 1:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
The structure & development of the mosses and ferns (Archegoniatae) . Fig. 83.—A, B, Germinating spores oi A. ^eirojihila, X 200 ; C, protonema with bud {k) ; D. youngarchegonium in optical section ; E, i, 2, two views of a very young embryo of A. crassmerva,X 266 ; F, somewhat older embryo of ^. petrophila ; G, older embryo showing the first archesporialcells; H, I, cross-sections of young embryos, X 200. A-D, after Kiihn ; E-I, after Waldner. germinate within a week, or sometimes remain unchanged formonths. They have a thick dark-brown exospore and containchlorophyll and oil. The first divis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-structure-development-of-the-mosses-and-ferns-archegoniatae-fig-83a-b-germinating-spores-oi-a-eirojihila-x-200-c-protonema-with-bud-k-d-youngarchegonium-in-optical-section-e-i-2-two-views-of-a-very-young-embryo-of-a-crassmervax-266-f-somewhat-older-embryo-of-petrophila-g-older-embryo-showing-the-first-archesporialcells-h-i-cross-sections-of-young-embryos-x-200-a-d-after-kiihn-e-i-after-waldner-germinate-within-a-week-or-sometimes-remain-unchanged-formonths-they-have-a-thick-dark-brown-exospore-and-containchlorophyll-and-oil-the-first-divis-image342955017.html
RM2AWXXHD–The structure & development of the mosses and ferns (Archegoniatae) . Fig. 83.—A, B, Germinating spores oi A. ^eirojihila, X 200 ; C, protonema with bud {k) ; D. youngarchegonium in optical section ; E, i, 2, two views of a very young embryo of A. crassmerva,X 266 ; F, somewhat older embryo of ^. petrophila ; G, older embryo showing the first archesporialcells; H, I, cross-sections of young embryos, X 200. A-D, after Kiihn ; E-I, after Waldner. germinate within a week, or sometimes remain unchanged formonths. They have a thick dark-brown exospore and containchlorophyll and oil. The first divis
Engraved Gem with Capaneus, Italy, 200–1 B.C, Pale amethyst, 1.6 × 1.4 × 0.4 cm (5,8 × 9,16 × 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-gem-with-capaneus-italy-2001-bc-pale-amethyst-16-14-04-cm-58-916-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350026466.html
RF2B9D296–Engraved Gem with Capaneus, Italy, 200–1 B.C, Pale amethyst, 1.6 × 1.4 × 0.4 cm (5,8 × 9,16 × 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Cuba review. 42 THE CUBA REVIEW VINEGAR BEND LUMBER CO. Mantafacttirers and Kxporters Long Leaf Yellow Pine Lumber and Timber Cuban Business Our Specialty VINEGAR BEND, ALA., U. S. A. Dally Capacity, 200,000 Feet Cable Address: "TURNER " Codes: ABC, Fourth Edition; Southards; Watklns; Western Union. SOBRINOS DE BEA & CO. Bankers and Commission Merchants Importaci6n directa de todas los centres manufactureros del mundo. Agents for the MuDSon Steamship Line, New York and Mobile. Tam«i E. Ward & Co., New York. Serra Steamship Company, Liverpool. V'aporea Transatlanticos c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cuba-review-42-the-cuba-review-vinegar-bend-lumber-co-mantafacttirers-and-kxporters-long-leaf-yellow-pine-lumber-and-timber-cuban-business-our-specialty-vinegar-bend-ala-u-s-a-dally-capacity-200000-feet-cable-address-quotturner-quot-codes-abc-fourth-edition-southards-watklns-western-union-sobrinos-de-bea-amp-co-bankers-and-commission-merchants-importaci6n-directa-de-todas-los-centres-manufactureros-del-mundo-agents-for-the-mudson-steamship-line-new-york-and-mobile-tami-e-ward-amp-co-new-york-serra-steamship-company-liverpool-vaporea-transatlanticos-c-image216354447.html
RMPFYP8F–. The Cuba review. 42 THE CUBA REVIEW VINEGAR BEND LUMBER CO. Mantafacttirers and Kxporters Long Leaf Yellow Pine Lumber and Timber Cuban Business Our Specialty VINEGAR BEND, ALA., U. S. A. Dally Capacity, 200,000 Feet Cable Address: "TURNER " Codes: ABC, Fourth Edition; Southards; Watklns; Western Union. SOBRINOS DE BEA & CO. Bankers and Commission Merchants Importaci6n directa de todas los centres manufactureros del mundo. Agents for the MuDSon Steamship Line, New York and Mobile. Tam«i E. Ward & Co., New York. Serra Steamship Company, Liverpool. V'aporea Transatlanticos c
. Fig. 284. A—D Ntimmularia Bulliardi Tul. A Habitus, nat. Gr.; B Stroma im Längsschnitt (10/1); C Scliläuche (380/1); D Stück eines bedeckten Conidienlagers (:3S0|1). — E N. lataniicola Rehin, Conidienträger (:}50/]). — FJ üstuUna maxima (HaU.) Schrot. F Habitus; G abgebrochenes Stück eines Stromas (10)1); H Schläuche (ca. 380/1); J Stück eines Conidienlagers (ca. 380|1). (E nach Brefeld; das übrige nach Tulasne.) Über 200 Arten, deren Hauptverbreitungsgebiet in den Tropen liegt. In Mitteleuropa kommen etwa 25, in Nordamerika fast die 3fache Zahl der Arten vor. Nitschke gab auf Grund der Ges Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-284-ad-ntimmularia-bulliardi-tul-a-habitus-nat-gr-b-stroma-im-lngsschnitt-101-c-scliluche-3801-d-stck-eines-bedeckten-conidienlagers-3s01-e-n-lataniicola-rehin-conidientrger-50-fj-stuuna-maxima-hau-schrot-f-habitus-g-abgebrochenes-stck-eines-stromas-101-h-schluche-ca-3801-j-stck-eines-conidienlagers-ca-3801-e-nach-brefeld-das-brige-nach-tulasne-ber-200-arten-deren-hauptverbreitungsgebiet-in-den-tropen-liegt-in-mitteleuropa-kommen-etwa-25-in-nordamerika-fast-die-3fache-zahl-der-arten-vor-nitschke-gab-auf-grund-der-ges-image180020704.html
RMMCTJ6T–. Fig. 284. A—D Ntimmularia Bulliardi Tul. A Habitus, nat. Gr.; B Stroma im Längsschnitt (10/1); C Scliläuche (380/1); D Stück eines bedeckten Conidienlagers (:3S0|1). — E N. lataniicola Rehin, Conidienträger (:}50/]). — FJ üstuUna maxima (HaU.) Schrot. F Habitus; G abgebrochenes Stück eines Stromas (10)1); H Schläuche (ca. 380/1); J Stück eines Conidienlagers (ca. 380|1). (E nach Brefeld; das übrige nach Tulasne.) Über 200 Arten, deren Hauptverbreitungsgebiet in den Tropen liegt. In Mitteleuropa kommen etwa 25, in Nordamerika fast die 3fache Zahl der Arten vor. Nitschke gab auf Grund der Ges
Sculptor's model / votive relief with two sides: side one, two registers with a right foot on each; side two, a royal-like figure 400–200 B.C. Late Period–Ptolemaic Period Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. P Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculptors-model-votive-relief-with-two-sides-side-one-two-registers-with-a-right-foot-on-each-side-two-a-royal-like-figure-400200-bc-late-periodptolemaic-period-small-late-period-and-ptolemaic-reliefs-or-sculptures-that-depict-a-subject-in-a-partial-or-unfinished-way-but-are-themselves-finished-objects-constitute-a-special-class-of-object-guidelines-like-those-for-artists-are-often-prominently-exhibited-as-part-of-the-object-although-in-fact-many-instances-can-be-noted-where-the-object-simply-could-not-serve-as-a-suitable-model-for-a-traditional-formal-egyptian-representation-p-image458420114.html
RM2HHPREX–Sculptor's model / votive relief with two sides: side one, two registers with a right foot on each; side two, a royal-like figure 400–200 B.C. Late Period–Ptolemaic Period Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. P
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.42 g, 1:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-442-g-100-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image392969248.html
RM2DR9880–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.42 g, 1:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
. Decapoden. 201 B Astacus gammarus, Linne.Fig. 200. Erstes Larvenstadium. 201 C „ Mandibel. „ Erste Maxilla. „ Zweite „ *) ,, Seite des Thorax. Nach Williamson 3. *; Die Fiederung und Zähnelung der Dornen istfortgelassen. 201 A.201 B.201 C.201 D.. I>i-I>t 201 D Criistacea Decapoda. VI 439 Astacus fluviatilis Fabricius = Cancer astams Linne = Asfacus astacns Linne = Astacuspallijies Lereboullet. Süßwasser. Fig. 196 zeigt die eben ausgesciilüpfte Larve (Calnian Ij. Astacus gammarus*) (L.) = Cancer yam))ian(s Linne = Asfiiriis marmis Fabricius =Homarns (jammarus Linne = Homarus vulgaris H. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decapoden-201-b-astacus-gammarus-linnefig-200-erstes-larvenstadium-201-c-mandibel-erste-maxilla-zweite-seite-des-thorax-nach-williamson-3-die-fiederung-und-zhnelung-der-dornen-istfortgelassen-201-a201-b201-c201-d-igti-igtt-201-d-criistacea-decapoda-vi-439-astacus-fluviatilis-fabricius-=-cancer-astams-linne-=-asfacus-astacns-linne-=-astacuspallijies-lereboullet-swasser-fig-196-zeigt-die-eben-ausgesciilpfte-larve-calnian-ij-astacus-gammarus-l-=-cancer-yamians-linne-=-asfiiriis-marmis-fabricius-=homarns-jammarus-linne-=-homarus-vulgaris-h-image337050533.html
RM2AG9YB1–. Decapoden. 201 B Astacus gammarus, Linne.Fig. 200. Erstes Larvenstadium. 201 C „ Mandibel. „ Erste Maxilla. „ Zweite „ *) ,, Seite des Thorax. Nach Williamson 3. *; Die Fiederung und Zähnelung der Dornen istfortgelassen. 201 A.201 B.201 C.201 D.. I>i-I>t 201 D Criistacea Decapoda. VI 439 Astacus fluviatilis Fabricius = Cancer astams Linne = Asfacus astacns Linne = Astacuspallijies Lereboullet. Süßwasser. Fig. 196 zeigt die eben ausgesciilüpfte Larve (Calnian Ij. Astacus gammarus*) (L.) = Cancer yam))ian(s Linne = Asfiiriis marmis Fabricius =Homarns (jammarus Linne = Homarus vulgaris H.
Seated Eros, Canosa, South Italy, 325 - 200 B.C, Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-eros-canosa-south-italy-325-200-bc-terracotta-with-white-slip-and-polychromy-pink-black-light-blue-white-red-102-59-cm-4-2-516-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350059374.html
RF2B9EG8E–Seated Eros, Canosa, South Italy, 325 - 200 B.C, Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Parasitic fungi of Illinois / by T.J. Burrill. Fungi. Fig. 5. Figure 5. Undnula am- lis, Peck: a, perithe- cium with the numerous appendages (6) coiled at the tip,— magnified 100 times; c, i one of the appendages (tip) further magnified; d,anas- cus with five spores,—magni- fied 200 times. The lower, pointed end of the ascus is attached to the bottom of the cavity of the perithecium.. Figure 6. Phyllactinia sw/- fulta, (Eeb.) Sacc.: a, perithe- cium with the needle-shaped appendages (6) swollen at base,—magnified 50 times; c, a branched appendage; d!, an ascus with two spores,— mag- nified 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parasitic-fungi-of-illinois-by-tj-burrill-fungi-fig-5-figure-5-undnula-am-lis-peck-a-perithe-cium-with-the-numerous-appendages-6-coiled-at-the-tip-magnified-100-times-c-i-one-of-the-appendages-tip-further-magnified-danas-cus-with-five-sporesmagni-fied-200-times-the-lower-pointed-end-of-the-ascus-is-attached-to-the-bottom-of-the-cavity-of-the-perithecium-figure-6-phyllactinia-sw-fulta-eeb-sacc-a-perithe-cium-with-the-needle-shaped-appendages-6-swollen-at-basemagnified-50-times-c-a-branched-appendage-d!-an-ascus-with-two-spores-mag-nified-1-image216418624.html
RMPG2M4G–. Parasitic fungi of Illinois / by T.J. Burrill. Fungi. Fig. 5. Figure 5. Undnula am- lis, Peck: a, perithe- cium with the numerous appendages (6) coiled at the tip,— magnified 100 times; c, i one of the appendages (tip) further magnified; d,anas- cus with five spores,—magni- fied 200 times. The lower, pointed end of the ascus is attached to the bottom of the cavity of the perithecium.. Figure 6. Phyllactinia sw/- fulta, (Eeb.) Sacc.: a, perithe- cium with the needle-shaped appendages (6) swollen at base,—magnified 50 times; c, a branched appendage; d!, an ascus with two spores,— mag- nified 1
. A)L. flos cnculi: 1) Slütcn^ ftaiib: 2) 'Matt; 3) iSrumcns btatt iinö Stau6ijefä§e, oer» gvößcrt; 4) grudjtJnoten mit GSfiffeln, oergröftert; 5) Slbb. 200: Sidjtitelte (Lychnis). 5Jru^t, oergrö^ert; 6) Snme, I g-ruc^ttitotcn mit (Sriffeln, nergrögert. B) Tj. toraeutosa: 1) S^vciQ mit »liitcn; 2) Sölumenblatt mit Staubgefäßen, oergrößcrt; 3) Dergvöfea't; 4) C?iagvamm ber SÖIiite; 5) %xud)t im :i'aiig5:= fc^nitt, oergr.; 6) 'Barne, uergt.; 7) Same im SängSf c^nitt, oergr. C)Ii. chalcedonica: 1) ^S'feig mit »[ütcnftaiib; 2) »lütc, »crgr.; 3) SBIütc im fiängä* fc^nitt, oergr.; 4) Jruc^t, ocr= gr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/al-flos-cnculi-1-sltcn-ftaiib-2-matt-3-isrumcns-btatt-iin-stau6ijefe-oer-gvcrt-4-grudjtjnoten-mit-gsfiffeln-oergrftert-5-slbb-200-sidjtitelte-lychnis-5jrut-oergrert-6-snme-i-g-ructtitotcn-mit-sriffeln-nergrgert-b-tj-toraeutosa-1-svciq-mit-liitcn-2-slumenblatt-mit-staubgefen-oergrcrt-3-dergvfeat-4-ciagvamm-ber-siiite-5-xudt-im-iaiig5=-fcnitt-oergr-6-barne-uergt-7-same-im-sngsf-cnitt-oergr-cii-chalcedonica-1-sfeig-mit-tcnftaiib-2-ltc-crgr-3-sbitc-im-fing-fcnitt-oergr-4-jruct-ocr=-gr-image179992454.html
RMMCRA5X–. A)L. flos cnculi: 1) Slütcn^ ftaiib: 2) 'Matt; 3) iSrumcns btatt iinö Stau6ijefä§e, oer» gvößcrt; 4) grudjtJnoten mit GSfiffeln, oergröftert; 5) Slbb. 200: Sidjtitelte (Lychnis). 5Jru^t, oergrö^ert; 6) Snme, I g-ruc^ttitotcn mit (Sriffeln, nergrögert. B) Tj. toraeutosa: 1) S^vciQ mit »liitcn; 2) Sölumenblatt mit Staubgefäßen, oergrößcrt; 3) Dergvöfea't; 4) C?iagvamm ber SÖIiite; 5) %xud)t im :i'aiig5:= fc^nitt, oergr.; 6) 'Barne, uergt.; 7) Same im SängSf c^nitt, oergr. C)Ii. chalcedonica: 1) ^S'feig mit »[ütcnftaiib; 2) »lütc, »crgr.; 3) SBIütc im fiängä* fc^nitt, oergr.; 4) Jruc^t, ocr= gr
House Model 100 B.C.–A.D. 200 Nayarit This model of a two-story Nayarit house depicts a large and complex feasting scene. It shows twenty-six figures engaged in a feast, complete with miniature representations of food and drink, and three birds. The house has two intersecting peaked roofs sheltering both a portico and an enclosed room. Remnants of a diamond pattern painted in black and white on a red slip are visible on the tops of the roofs, representing thatched roofs that would have been plastered and painted. People and animals fill nearly every available space on both levels, including th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/house-model-100-bcad-200-nayarit-this-model-of-a-two-story-nayarit-house-depicts-a-large-and-complex-feasting-scene-it-shows-twenty-six-figures-engaged-in-a-feast-complete-with-miniature-representations-of-food-and-drink-and-three-birds-the-house-has-two-intersecting-peaked-roofs-sheltering-both-a-portico-and-an-enclosed-room-remnants-of-a-diamond-pattern-painted-in-black-and-white-on-a-red-slip-are-visible-on-the-tops-of-the-roofs-representing-thatched-roofs-that-would-have-been-plastered-and-painted-people-and-animals-fill-nearly-every-available-space-on-both-levels-including-th-image458517336.html
RM2HHY7F4–House Model 100 B.C.–A.D. 200 Nayarit This model of a two-story Nayarit house depicts a large and complex feasting scene. It shows twenty-six figures engaged in a feast, complete with miniature representations of food and drink, and three birds. The house has two intersecting peaked roofs sheltering both a portico and an enclosed room. Remnants of a diamond pattern painted in black and white on a red slip are visible on the tops of the roofs, representing thatched roofs that would have been plastered and painted. People and animals fill nearly every available space on both levels, including th
Mint: Luceria, Quincunx from Luceria, 211–200 B.C., Bronze, 15.90 g, 10:00, 25.6 mm, Made in Luceria, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-luceria-quincunx-fromluceria-211200-bc-bronze-1590-g-1000-256mm-made-in-luceria-greek-3rd-century-bc-numismatics-image392972126.html
RM2DR9BXP–Mint: Luceria, Quincunx from Luceria, 211–200 B.C., Bronze, 15.90 g, 10:00, 25.6 mm, Made in Luceria, Greek, 3rd century B.C., Numismatics
Contributions from the United States National Herbarium . 200 |jm Figure 89. Leaf blade surfaces. A & B. Festuca boyacensis. A. Abaxial epidermis, detail view of silica bodies. B. Adaxial epider-mis, detail view of stomata and macro-hairs and cell walls covered with wax. C & D. F carchiense. C. Abaxial epidermis, view oflong and short cells and sparse prickles. D. Adaxial epidermis with ribs covered with short macro-hairs. E & F. F. chimborazensissubsp. chimborazensis. E. Abaxial epidermis with small ribs. F. Abaxial epidermis, detail view of silica bodies. A & B, Stancik2166 (PRC); C & D, Lae Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/contributions-from-the-united-states-national-herbarium-200-jm-figure-89-leaf-blade-surfaces-a-b-festuca-boyacensis-a-abaxial-epidermis-detail-view-of-silica-bodies-b-adaxial-epider-mis-detail-view-of-stomata-and-macro-hairs-and-cell-walls-covered-with-wax-c-d-f-carchiense-c-abaxial-epidermis-view-oflong-and-short-cells-and-sparse-prickles-d-adaxial-epidermis-with-ribs-covered-with-short-macro-hairs-e-f-f-chimborazensissubsp-chimborazensis-e-abaxial-epidermis-with-small-ribs-f-abaxial-epidermis-detail-view-of-silica-bodies-a-b-stancik2166-prc-c-d-lae-image338314798.html
RM2AJBFYA–Contributions from the United States National Herbarium . 200 |jm Figure 89. Leaf blade surfaces. A & B. Festuca boyacensis. A. Abaxial epidermis, detail view of silica bodies. B. Adaxial epider-mis, detail view of stomata and macro-hairs and cell walls covered with wax. C & D. F carchiense. C. Abaxial epidermis, view oflong and short cells and sparse prickles. D. Adaxial epidermis with ribs covered with short macro-hairs. E & F. F. chimborazensissubsp. chimborazensis. E. Abaxial epidermis with small ribs. F. Abaxial epidermis, detail view of silica bodies. A & B, Stancik2166 (PRC); C & D, Lae
Seated Eros, Canosa, South Italy, 325 - 200 B.C, Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-eros-canosa-south-italy-325-200-bc-terracotta-with-white-slip-and-polychromy-pink-black-light-blue-white-red-102-59-cm-4-2-516-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350059370.html
RF2B9EG8A–Seated Eros, Canosa, South Italy, 325 - 200 B.C, Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Das Mikroskop. Ein Leitfaden der wissenschaftlichen Mikroskopie. Microscopy; Microscopes. 136 verticale Verschiebung am Mikroskoptubus; nach der Einstellung wird dieselbe dann mit Hilfe der Schraube C in der richtigen Lage fixiert. Der ganze Apparat ist schliesslich an einem in der Zeichnung durch das Ocular verdeckten Stift drehbar, so dass er jederzeit leicht ausgeschaltet werden kann. § 200. Die in Fig. 89 dargestellte kleinere Camera lucida von Zeiss enthält zwei Prismen, deren Grösse und Orientierung aus dem. Fig. 89. nebenstehenden Schema ersichtlich ist. Diese Prismen stecken nun in e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/das-mikroskop-ein-leitfaden-der-wissenschaftlichen-mikroskopie-microscopy-microscopes-136-verticale-verschiebung-am-mikroskoptubus-nach-der-einstellung-wird-dieselbe-dann-mit-hilfe-der-schraube-c-in-der-richtigen-lage-fixiert-der-ganze-apparat-ist-schliesslich-an-einem-in-der-zeichnung-durch-das-ocular-verdeckten-stift-drehbar-so-dass-er-jederzeit-leicht-ausgeschaltet-werden-kann-200-die-in-fig-89-dargestellte-kleinere-camera-lucida-von-zeiss-enthlt-zwei-prismen-deren-grsse-und-orientierung-aus-dem-fig-89-nebenstehenden-schema-ersichtlich-ist-diese-prismen-stecken-nun-in-e-image216100959.html
RMPFG6YB–. Das Mikroskop. Ein Leitfaden der wissenschaftlichen Mikroskopie. Microscopy; Microscopes. 136 verticale Verschiebung am Mikroskoptubus; nach der Einstellung wird dieselbe dann mit Hilfe der Schraube C in der richtigen Lage fixiert. Der ganze Apparat ist schliesslich an einem in der Zeichnung durch das Ocular verdeckten Stift drehbar, so dass er jederzeit leicht ausgeschaltet werden kann. § 200. Die in Fig. 89 dargestellte kleinere Camera lucida von Zeiss enthält zwei Prismen, deren Grösse und Orientierung aus dem. Fig. 89. nebenstehenden Schema ersichtlich ist. Diese Prismen stecken nun in e
. Fig. 18. A—C Ceratium tripos Nitzsch. A dorsale Gürtelansicht kurz nach der Teilung, a vordere, b hintere Tochterzelle (200/1); B Ausbildung der neuen Panzer- platten (200/1); Ö Kettenbildung infolge Teilung. — D Phalacroma vastnm Schutt, die junge Panzerhälfte füllt die alte Hälfte noch nicht. Zelle a hat die rechte, b die linke Hälfte des Mutterzellpanzers erhalten (400/1). (A, B Original; C nach Berg; D nach Sch.ütt.) Die Teilung ist erst bei wenigen Gattungen bekannt. Die Teilungs- ebene ist bei den Dino- physeae parallel der Längsachse (im Sagittal- schnitt), bei Ceratium schief dazu, s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-18-ac-ceratium-tripos-nitzsch-a-dorsale-grtelansicht-kurz-nach-der-teilung-a-vordere-b-hintere-tochterzelle-2001-b-ausbildung-der-neuen-panzer-platten-2001-kettenbildung-infolge-teilung-d-phalacroma-vastnm-schutt-die-junge-panzerhlfte-fllt-die-alte-hlfte-noch-nicht-zelle-a-hat-die-rechte-b-die-linke-hlfte-des-mutterzellpanzers-erhalten-4001-a-b-original-c-nach-berg-d-nach-schtt-die-teilung-ist-erst-bei-wenigen-gattungen-bekannt-die-teilungs-ebene-ist-bei-den-dino-physeae-parallel-der-lngsachse-im-sagittal-schnitt-bei-ceratium-schief-dazu-s-image180021983.html
RMMCTKTF–. Fig. 18. A—C Ceratium tripos Nitzsch. A dorsale Gürtelansicht kurz nach der Teilung, a vordere, b hintere Tochterzelle (200/1); B Ausbildung der neuen Panzer- platten (200/1); Ö Kettenbildung infolge Teilung. — D Phalacroma vastnm Schutt, die junge Panzerhälfte füllt die alte Hälfte noch nicht. Zelle a hat die rechte, b die linke Hälfte des Mutterzellpanzers erhalten (400/1). (A, B Original; C nach Berg; D nach Sch.ütt.) Die Teilung ist erst bei wenigen Gattungen bekannt. Die Teilungs- ebene ist bei den Dino- physeae parallel der Längsachse (im Sagittal- schnitt), bei Ceratium schief dazu, s
Monkey-shaped spout-and-bridge bottle Topará artist(s) 200 BCE–100 CE For several centuries around the time of the beginning of the Common Era, artists on Peru’s South Coast developed a striking style of ceramics featuring a colorful palette achieved with post-fire paints, known as Paracas (see, for example, MMA 1979.206.1148). Around 200 B.C., however, potters from the northern part of the Ica Region distinguished themselves from their Paracas counterparts by crafting elegant, highly burnished, monochromatic bottles in a style known as Topará. Red or cream slips—liquid suspensions of clay and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monkey-shaped-spout-and-bridge-bottle-topar-artists-200-bce100-ce-for-several-centuries-around-the-time-of-the-beginning-of-the-common-era-artists-on-perus-south-coast-developed-a-striking-style-of-ceramics-featuring-a-colorful-palette-achieved-with-post-fire-paints-known-as-paracas-see-for-example-mma-19792061148-around-200-bc-however-potters-from-the-northern-part-of-the-ica-region-distinguished-themselves-from-their-paracas-counterparts-by-crafting-elegant-highly-burnished-monochromatic-bottles-in-a-style-known-as-topar-red-or-cream-slipsliquid-suspensions-of-clay-and-image569498742.html
RM2T2EWCP–Monkey-shaped spout-and-bridge bottle Topará artist(s) 200 BCE–100 CE For several centuries around the time of the beginning of the Common Era, artists on Peru’s South Coast developed a striking style of ceramics featuring a colorful palette achieved with post-fire paints, known as Paracas (see, for example, MMA 1979.206.1148). Around 200 B.C., however, potters from the northern part of the Ica Region distinguished themselves from their Paracas counterparts by crafting elegant, highly burnished, monochromatic bottles in a style known as Topará. Red or cream slips—liquid suspensions of clay and
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.32 g, 6:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-432-g-600-16mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393155291.html
RM2DRHNGB–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.32 g, 6:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Transactions . J^vX ?Granite. BuskU Si Strelbrrs.Eixi:* S.Y. At the contact of the slate and granite, the latter often penetratesthe bedding of the slate, in known instances nearly 200 feet. Thegranite is much cut up by dikes of black trap, which also run intothe slate, faulting the vein in several places. A sketch of dikes andfaults is shown in the map. (Fig. 11).. Fig. II. Vicinity of the Sullivan Mine. Scale, IJi inches to a mile. Line of contact, Granite & Slates. Trap Dykes. —— Quartz Vein, in Slates. A. SuDivan Shaft. B. Stimpson C. Waukeag • D. Brook E. ^Ishley K-.vill 4 Slmtlti.. E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transactions-jvx-granite-busku-si-strelbrrseixi-sy-at-the-contact-of-the-slate-and-granite-the-latter-often-penetratesthe-bedding-of-the-slate-in-known-instances-nearly-200-feet-thegranite-is-much-cut-up-by-dikes-of-black-trap-which-also-run-intothe-slate-faulting-the-vein-in-several-places-a-sketch-of-dikes-andfaults-is-shown-in-the-map-fig-11-fig-ii-vicinity-of-the-sullivan-mine-scale-iji-inches-to-a-mile-line-of-contact-granite-slates-trap-dykes-quartz-vein-in-slates-a-sudivan-shaft-b-stimpson-c-waukeag-d-brook-e-ishley-k-vill-4-slmtlti-e-image339421257.html
RM2AM5Y7N–Transactions . J^vX ?Granite. BuskU Si Strelbrrs.Eixi:* S.Y. At the contact of the slate and granite, the latter often penetratesthe bedding of the slate, in known instances nearly 200 feet. Thegranite is much cut up by dikes of black trap, which also run intothe slate, faulting the vein in several places. A sketch of dikes andfaults is shown in the map. (Fig. 11).. Fig. II. Vicinity of the Sullivan Mine. Scale, IJi inches to a mile. Line of contact, Granite & Slates. Trap Dykes. —— Quartz Vein, in Slates. A. SuDivan Shaft. B. Stimpson C. Waukeag • D. Brook E. ^Ishley K-.vill 4 Slmtlti.. E
Plaque with a Woman, Unknown, Tarentum (Taras), South Italy, 325 - 200 B.C., Terracotta with white slip and polychromy (red, black), 16.4 × 5.9 cm (6 7/16 × 2 5/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-a-woman-unknown-tarentum-taras-south-italy-325-200-bc-terracotta-with-white-slip-and-polychromy-red-black-164-59-cm-6-716-2-516-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349894394.html
RF2B971TA–Plaque with a Woman, Unknown, Tarentum (Taras), South Italy, 325 - 200 B.C., Terracotta with white slip and polychromy (red, black), 16.4 × 5.9 cm (6 7/16 × 2 5/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Cuba review. THE CUBA REVIEW VINEGAR BEND LUMBER CO. Mant»f»ctt»r«ra and Kxportwrs Long Leaf Yellow Pine Lumber and Timber Cuban Business Our Specialty VINEGAR BEND, ALA., U. S. A. Dally Capacity, 200,000 Feet Cable Address: "TURNER " Codes: ABC, Fourth Edition; Southards; Watklns; Western Union. SOBRINOS DE BEA & CO. Banktrs and Commiwion Merchants lmportaci6n directa de todas los c«ntroi manufactureros del mundo. Agents for the Muasoa Steamship Line, New Yoric and Mobile. James E. Ward & Co., New York. Serra St«a<nship Company, Liverpool. 'apor«e Transatlanticos d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cuba-review-the-cuba-review-vinegar-bend-lumber-co-mantfcttrra-and-kxportwrs-long-leaf-yellow-pine-lumber-and-timber-cuban-business-our-specialty-vinegar-bend-ala-u-s-a-dally-capacity-200000-feet-cable-address-quotturner-quot-codes-abc-fourth-edition-southards-watklns-western-union-sobrinos-de-bea-amp-co-banktrs-and-commiwion-merchants-lmportaci6n-directa-de-todas-los-cntroi-manufactureros-del-mundo-agents-for-the-muasoa-steamship-line-new-yoric-and-mobile-james-e-ward-amp-co-new-york-serra-staltnship-company-liverpool-apore-transatlanticos-d-image216404952.html
RMPG22M8–. The Cuba review. THE CUBA REVIEW VINEGAR BEND LUMBER CO. Mant»f»ctt»r«ra and Kxportwrs Long Leaf Yellow Pine Lumber and Timber Cuban Business Our Specialty VINEGAR BEND, ALA., U. S. A. Dally Capacity, 200,000 Feet Cable Address: "TURNER " Codes: ABC, Fourth Edition; Southards; Watklns; Western Union. SOBRINOS DE BEA & CO. Banktrs and Commiwion Merchants lmportaci6n directa de todas los c«ntroi manufactureros del mundo. Agents for the Muasoa Steamship Line, New Yoric and Mobile. James E. Ward & Co., New York. Serra St«a<nship Company, Liverpool. 'apor«e Transatlanticos d
. Fig. 219. A, B Eunotia (Eueunotia) tetraodon Ehrenb. (400|l). — C, I) E. (Himantidium) major (W. Sm.) Rab. (400(1). — E E. pectinalis (Kütz.) Rab. var. undulata Ralfs, Kette (200|1). — F E. (Pseudoennotiä) hemicyclus Ehrenb. (E nach W. Sm ith; F nach Van Heurck.) Subsect. 1. Eu-Eunotia F. S. Polarknoten entwickelt. 33 Arten, im Süßw fossil. — A. Convexer Schalenrand nicht wellig oder gezähnt, aber in der Mitte oder weniger auch am Ende geschwollen: z.B. E. formica Ehrenb. Nordamerika. - vexer Schalenrand gezähnt oder gewellt, mit 2 Wellen: z. B. E. diodon Ehrenb., E. camelus Ehrenb.; mit 3 W Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-219-a-b-eunotia-eueunotia-tetraodon-ehrenb-400l-c-i-e-himantidium-major-w-sm-rab-4001-e-e-pectinalis-ktz-rab-var-undulata-ralfs-kette-2001-f-e-pseudoennoti-hemicyclus-ehrenb-e-nach-w-sm-ith-f-nach-van-heurck-subsect-1-eu-eunotia-f-s-polarknoten-entwickelt-33-arten-im-sw-fossil-a-convexer-schalenrand-nicht-wellig-oder-gezhnt-aber-in-der-mitte-oder-weniger-auch-am-ende-geschwollen-zb-e-formica-ehrenb-nordamerika-vexer-schalenrand-gezhnt-oder-gewellt-mit-2-wellen-z-b-e-diodon-ehrenb-e-camelus-ehrenb-mit-3-w-image180021084.html
RMMCTJMC–. Fig. 219. A, B Eunotia (Eueunotia) tetraodon Ehrenb. (400|l). — C, I) E. (Himantidium) major (W. Sm.) Rab. (400(1). — E E. pectinalis (Kütz.) Rab. var. undulata Ralfs, Kette (200|1). — F E. (Pseudoennotiä) hemicyclus Ehrenb. (E nach W. Sm ith; F nach Van Heurck.) Subsect. 1. Eu-Eunotia F. S. Polarknoten entwickelt. 33 Arten, im Süßw fossil. — A. Convexer Schalenrand nicht wellig oder gezähnt, aber in der Mitte oder weniger auch am Ende geschwollen: z.B. E. formica Ehrenb. Nordamerika. - vexer Schalenrand gezähnt oder gewellt, mit 2 Wellen: z. B. E. diodon Ehrenb., E. camelus Ehrenb.; mit 3 W
Continence of Scipio. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Reymbouts, Martin II (Netherlandish (before 1600) - Flanders, b.1570-d.1619) (workshop) [weaver] c. 1590-1600 Tapestry Dimensions: H 200 x W 475 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12156. Inscriptions: Weaver mark [not visible in photograph] Scipio enthroned, surrounded by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/continence-of-scipio-giulio-romano-italian-149299-1546-designed-after-painter-reymbouts-martin-ii-netherlandish-before-1600-flanders-b1570-d1619-workshop-weaver-c-1590-1600-tapestry-dimensions-h-200-x-w-475-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-flemish-weaving-center-brussels-ownership-history-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a361-12156-inscriptions-weaver-mark-not-visible-in-photograph-scipio-enthroned-surrounded-by-image600114797.html
RM2WT9GF9–Continence of Scipio. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Reymbouts, Martin II (Netherlandish (before 1600) - Flanders, b.1570-d.1619) (workshop) [weaver] c. 1590-1600 Tapestry Dimensions: H 200 x W 475 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12156. Inscriptions: Weaver mark [not visible in photograph] Scipio enthroned, surrounded by
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.62 g, 11:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-462-g-1100-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393044063.html
RM2DRCKKY–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.62 g, 11:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Wright's street list and rapid transit guide to .. . n, Bickford & Co., Simsbury, Conn.D, W. C. SKILTON, President Phoenix Ins. Co.GEO. A. FAIRFIELD, President Hartford Machine Screw Co.CHARLES E. CHASE, Asst Secretary Hartford Fire Ins. Co.PHILIP CORBIN, President American Hardware Co.GEORGE A. GAY, of Brown, Thomson & Co.EDWARD B. HATCH, President Johns-Pratt Mfg. Co. JOHN B. LUNGER, Vice President Travelers Ins.Co. HAROLD W. STEVENS, President. IV ...THE... Hartford National Bank, Hartford, Conn. Capital, $1,200,000Surplus and Profits, $700,000 Incorporated in 1792, the HARTFORDBANK is the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wrights-street-list-and-rapid-transit-guide-to-n-bickford-co-simsbury-connd-w-c-skilton-president-phoenix-ins-cogeo-a-fairfield-president-hartford-machine-screw-cocharles-e-chase-asst-secretary-hartford-fire-ins-cophilip-corbin-president-american-hardware-cogeorge-a-gay-of-brown-thomson-coedward-b-hatch-president-johns-pratt-mfg-co-john-b-lunger-vice-president-travelers-insco-harold-w-stevens-president-iv-the-hartford-national-bank-hartford-conn-capital-1200000surplus-and-profits-700000-incorporated-in-1792-the-hartfordbank-is-the-image339895341.html
RM2AMYFY9–Wright's street list and rapid transit guide to .. . n, Bickford & Co., Simsbury, Conn.D, W. C. SKILTON, President Phoenix Ins. Co.GEO. A. FAIRFIELD, President Hartford Machine Screw Co.CHARLES E. CHASE, Asst Secretary Hartford Fire Ins. Co.PHILIP CORBIN, President American Hardware Co.GEORGE A. GAY, of Brown, Thomson & Co.EDWARD B. HATCH, President Johns-Pratt Mfg. Co. JOHN B. LUNGER, Vice President Travelers Ins.Co. HAROLD W. STEVENS, President. IV ...THE... Hartford National Bank, Hartford, Conn. Capital, $1,200,000Surplus and Profits, $700,000 Incorporated in 1792, the HARTFORDBANK is the
Statuette of Aphrodite, Unknown, Centuripe, Sicily, Italy, 300 - 200 B.C., Terracotta with white slip and polychromy (light blue, pink, red), 28.7 × 10.7 cm (11 5/16 × 4 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statuette-of-aphrodite-unknown-centuripe-sicily-italy-300-200-bc-terracotta-with-white-slip-and-polychromy-light-blue-pink-red-287-107-cm-11-516-4-316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349893642.html
RF2B970WE–Statuette of Aphrodite, Unknown, Centuripe, Sicily, Italy, 300 - 200 B.C., Terracotta with white slip and polychromy (light blue, pink, red), 28.7 × 10.7 cm (11 5/16 × 4 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Cuba review. Cuba -- Periodicals. THE CUBA REVIEW i 800 E 700 ^ 600 I 500 400 30C 200 100 0 â â c^ a â - . ^ â N s. ââ. â -â -«^ . -- -il > ^"^^ â -=^-CN >^^ 5"^ j^-- Vl,cuum,Inches 0+ Mercury. â >! 8 7 6 5 4 3 2 I*-- -Pressure.Pounds Gage: IT EXPLAINS WHY THE LILLIE EVAPORATOR IS SUPERIOR A most desirable thing in any evaporator is a high heat transmission. The I.illie Evaporator has the highest. It is obtained principally by evaporation from films with mechanical circulationâtwo peculiarities of the Lillie. The higher the coaScient of heat traas.iiissioa the gr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cuba-review-cuba-periodicals-the-cuba-review-i-800-e-700-600-i-500-400-30c-200-100-0-c-a-n-s-il-gt-quot-=-cn-gt-5quot-j-vlcuuminches-0-mercury-gt!-8-7-6-5-4-3-2-i-pressurepounds-gage-it-explains-why-the-lillie-evaporator-is-superior-a-most-desirable-thing-in-any-evaporator-is-a-high-heat-transmission-the-iillie-evaporator-has-the-highest-it-is-obtained-principally-by-evaporation-from-films-with-mechanical-circulationtwo-peculiarities-of-the-lillie-the-higher-the-coascient-of-heat-traasiiissioa-the-gr-image216405975.html
RMPG240R–. The Cuba review. Cuba -- Periodicals. THE CUBA REVIEW i 800 E 700 ^ 600 I 500 400 30C 200 100 0 â â c^ a â - . ^ â N s. ââ. â -â -«^ . -- -il > ^"^^ â -=^-CN >^^ 5"^ j^-- Vl,cuum,Inches 0+ Mercury. â >! 8 7 6 5 4 3 2 I*-- -Pressure.Pounds Gage: IT EXPLAINS WHY THE LILLIE EVAPORATOR IS SUPERIOR A most desirable thing in any evaporator is a high heat transmission. The I.illie Evaporator has the highest. It is obtained principally by evaporation from films with mechanical circulationâtwo peculiarities of the Lillie. The higher the coaScient of heat traas.iiissioa the gr
. Fig. 191. A—C Phacidium äbietinum Kze. et Sclim. A Habitus des Pikes auf der Tanne, iiat. Gr., und einige Fruelitkörper vergr.; B Schlauch mit Paraphysen, stark vergr.; C Conidientragendes Mycel (200/1). — D—F P. muUivalve (DC.) Kze. et Schin. D Fruchtkörper (20/1); E Fruchtkörper im Längsschnitt ('iO/1); F Schläuche und Paraphysen (ca. 3iO/l). — G, H Trochila Jlicis (Chev.) Rehm. G Habitus, nat. Gr., und einige Fruchtkörper vergr.; H Schlauch mit Paraphysen, stark vergr. — J T. petiolaris (Alb. et Schwein.) Eehm. Habitus, nat. Gr., und einige Fruchtkörper vergr. (i, U, 6—J nach Rehm; C nach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-191-ac-phacidium-bietinum-kze-et-sclim-a-habitus-des-pikes-auf-der-tanne-iiat-gr-und-einige-fruelitkrper-vergr-b-schlauch-mit-paraphysen-stark-vergr-c-conidientragendes-mycel-2001-df-p-muuivalve-dc-kze-et-schin-d-fruchtkrper-201-e-fruchtkrper-im-lngsschnitt-io1-f-schluche-und-paraphysen-ca-3iol-g-h-trochila-jlicis-chev-rehm-g-habitus-nat-gr-und-einige-fruchtkrper-vergr-h-schlauch-mit-paraphysen-stark-vergr-j-t-petiolaris-alb-et-schwein-eehm-habitus-nat-gr-und-einige-fruchtkrper-vergr-i-u-6j-nach-rehm-c-nach-image180021026.html
RMMCTJJA–. Fig. 191. A—C Phacidium äbietinum Kze. et Sclim. A Habitus des Pikes auf der Tanne, iiat. Gr., und einige Fruelitkörper vergr.; B Schlauch mit Paraphysen, stark vergr.; C Conidientragendes Mycel (200/1). — D—F P. muUivalve (DC.) Kze. et Schin. D Fruchtkörper (20/1); E Fruchtkörper im Längsschnitt ('iO/1); F Schläuche und Paraphysen (ca. 3iO/l). — G, H Trochila Jlicis (Chev.) Rehm. G Habitus, nat. Gr., und einige Fruchtkörper vergr.; H Schlauch mit Paraphysen, stark vergr. — J T. petiolaris (Alb. et Schwein.) Eehm. Habitus, nat. Gr., und einige Fruchtkörper vergr. (i, U, 6—J nach Rehm; C nach
Pair of gold armbands ca. 200 B.C. Greek These imposing serpentine armbands represent two tritons, male and female, each holding a small winged Eros. The hoops behind the tritons' heads were used to attach the armbands to the sleeves of a garment, for otherwise, their weight (each over 6 1/2 ounces) would have caused them to slip down the arms.. Pair of gold armbands 254842 Greek, Pair of gold armbands, ca. 200 B.C., Gold, Overall: 10 7/16in., 0.4lb. (26.5cm, 0.2kg) Other (height-triton armband): 9 13/16in. (25cm) Other (height-tritoness armband): 10 7/16in. (26.5cm). The Metropolitan Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-gold-armbands-ca-200-bc-greek-these-imposing-serpentine-armbands-represent-two-tritons-male-and-female-each-holding-a-small-winged-eros-the-hoops-behind-the-tritons-heads-were-used-to-attach-the-armbands-to-the-sleeves-of-a-garment-for-otherwise-their-weight-each-over-6-12-ounces-would-have-caused-them-to-slip-down-the-arms-pair-of-gold-armbands-254842-greek-pair-of-gold-armbands-ca-200-bc-gold-overall-10-716in-04lb-265cm-02kg-other-height-triton-armband-9-1316in-25cm-other-height-tritoness-armband-10-716in-265cm-the-metropolitan-museum-image458236599.html
RM2HHEDCR–Pair of gold armbands ca. 200 B.C. Greek These imposing serpentine armbands represent two tritons, male and female, each holding a small winged Eros. The hoops behind the tritons' heads were used to attach the armbands to the sleeves of a garment, for otherwise, their weight (each over 6 1/2 ounces) would have caused them to slip down the arms.. Pair of gold armbands 254842 Greek, Pair of gold armbands, ca. 200 B.C., Gold, Overall: 10 7/16in., 0.4lb. (26.5cm, 0.2kg) Other (height-triton armband): 9 13/16in. (25cm) Other (height-tritoness armband): 10 7/16in. (26.5cm). The Metropolitan Museum
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 3.82 g, 2:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-382-g-200-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393161666.html
RM2DRJ1M2–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 3.82 g, 2:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Canadian grocer July-September 1919 . nd price thatwill exactly fit yourneeds. Write to-dayfor free catalogueand prices. JOHN HILLOCK & Co. Limited Office, Showrooms and Factory: 154 GEORGE ST., TORONTO AGENCIES:—A. Tilley, 54 McGill College Ave., Montreal; Geo.Cameron. Sparks St., Ottawa; J. McMillan, 200 Main St., Winnipeg;Western Butchers Co., Regina, Sask.; M. E. Watt, 572 Knox St.,Vancouver, B.C. Better equipment willbring you better businessin 1919 Prepare now for a more profitable turnover duringthe year. Proper equipment will be a mighty strongmeans of consolidating the trade of the pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-grocer-july-september-1919-nd-price-thatwill-exactly-fit-yourneeds-write-to-dayfor-free-catalogueand-prices-john-hillock-co-limited-office-showrooms-and-factory-154-george-st-toronto-agenciesa-tilley-54-mcgill-college-ave-montreal-geocameron-sparks-st-ottawa-j-mcmillan-200-main-st-winnipegwestern-butchers-co-regina-sask-m-e-watt-572-knox-stvancouver-bc-better-equipment-willbring-you-better-businessin-1919-prepare-now-for-a-more-profitable-turnover-duringthe-year-proper-equipment-will-be-a-mighty-strongmeans-of-consolidating-the-trade-of-the-pa-image339164459.html
RM2AKP7MB–Canadian grocer July-September 1919 . nd price thatwill exactly fit yourneeds. Write to-dayfor free catalogueand prices. JOHN HILLOCK & Co. Limited Office, Showrooms and Factory: 154 GEORGE ST., TORONTO AGENCIES:—A. Tilley, 54 McGill College Ave., Montreal; Geo.Cameron. Sparks St., Ottawa; J. McMillan, 200 Main St., Winnipeg;Western Butchers Co., Regina, Sask.; M. E. Watt, 572 Knox St.,Vancouver, B.C. Better equipment willbring you better businessin 1919 Prepare now for a more profitable turnover duringthe year. Proper equipment will be a mighty strongmeans of consolidating the trade of the pa
Statuette of Eros, Unknown, Centuripe, Sicily, Italy, 200 - 100 B.C., Terracotta with white slip and polychromy (red ocher, calcite, Egyptian blue), 22.5 × 8 cm (8 7/8 × 3 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statuette-of-eros-unknown-centuripe-sicily-italy-200-100-bc-terracotta-with-white-slip-and-polychromy-red-ocher-calcite-egyptian-blue-225-8-cm-8-78-3-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349893641.html
RF2B970WD–Statuette of Eros, Unknown, Centuripe, Sicily, Italy, 200 - 100 B.C., Terracotta with white slip and polychromy (red ocher, calcite, Egyptian blue), 22.5 × 8 cm (8 7/8 × 3 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Deutsches Vogelbuch für Forst- und Landwirte : Jäger, Naturfreunde und Vogelliebhaber. Birds. iSii 'S» «Jfc '2* 'i/ .«1; CSrnst Scton-C^ompson unO anOcrc Ckr^cscf^icl^tcn ^^ :,' 2;^- *^»^^ i.- mu 200 Orlglnal-ÜIluItraHonen. — !Jn orig., eleg. Einband geb. 1114.80. Das Budi enthält acht Erzählungen, die in packender Weife das üntime, das Beitere und Cragifche aus dem lieben freier Wald- und Feld- bewohner fchildern. Der Hutor, Raturforfcher, Dichter und Künftler in einer Perlon, hat fich in dielen Biographien zum Anwalt der Ciere ge- macht und die Empfindungen, Gefühle und Gewohnheiten derfel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsches-vogelbuch-fr-forst-und-landwirte-jger-naturfreunde-und-vogelliebhaber-birds-isii-s-jfc-2-i-1-csrnst-scton-compson-uno-anocrc-ckrcscficltcn-2-i-mu-200-orlglnal-iluitrahonen-!jn-orig-eleg-einband-geb-111480-das-budi-enthlt-acht-erzhlungen-die-in-packender-weife-das-ntime-das-beitere-und-cragifche-aus-dem-lieben-freier-wald-und-feld-bewohner-fchildern-der-hutor-raturforfcher-dichter-und-knftler-in-einer-perlon-hat-fich-in-dielen-biographien-zum-anwalt-der-ciere-ge-macht-und-die-empfindungen-gefhle-und-gewohnheiten-derfel-image215950481.html
RMPF9B15–. Deutsches Vogelbuch für Forst- und Landwirte : Jäger, Naturfreunde und Vogelliebhaber. Birds. iSii 'S» «Jfc '2* 'i/ .«1; CSrnst Scton-C^ompson unO anOcrc Ckr^cscf^icl^tcn ^^ :,' 2;^- *^»^^ i.- mu 200 Orlglnal-ÜIluItraHonen. — !Jn orig., eleg. Einband geb. 1114.80. Das Budi enthält acht Erzählungen, die in packender Weife das üntime, das Beitere und Cragifche aus dem lieben freier Wald- und Feld- bewohner fchildern. Der Hutor, Raturforfcher, Dichter und Künftler in einer Perlon, hat fich in dielen Biographien zum Anwalt der Ciere ge- macht und die Empfindungen, Gefühle und Gewohnheiten derfel
. •Smirix a Fig. 9. ? Mahngrenia micropoides. a. Foot. b. Dorsal bristle, c. Ventral bristle. 0-L J-0 I I Genus Nectochaeta, Marenzeller Nectochaeta caroli, Fauvel. Fauvel, 1916, p. 39, pi. i, figs. 24-27; pi. ii, figs. 16-18; and 1923, p. 91, fig. 35 a-f. St. 273. 3i.vii. 27. 9° 38'00" S, 12° 42'30" E. 200-230 (-0) m. Gear TYF. Three specimens. St.276. 5.viii.27. 5° 54'00" S, 11° 19'00" E. iio(-o)m. GearNiooB. Twenty-nine specimens. Remarks. These specimens correspond so closely to Fauvel's description that there is very httle I can add. The larger specimens have about 40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/smirix-a-fig-9-mahngrenia-micropoides-a-foot-b-dorsal-bristle-c-ventral-bristle-0-l-j-0-i-i-genus-nectochaeta-marenzeller-nectochaeta-caroli-fauvel-fauvel-1916-p-39-pi-i-figs-24-27-pi-ii-figs-16-18-and-1923-p-91-fig-35-a-f-st-273-3ivii-27-9-3800quot-s-12-4230quot-e-200-230-0-m-gear-tyf-three-specimens-st276-5viii27-5-5400quot-s-11-1900quot-e-iio-om-gearnioob-twenty-nine-specimens-remarks-these-specimens-correspond-so-closely-to-fauvels-description-that-there-is-very-httle-i-can-add-the-larger-specimens-have-about-40-image179938579.html
RMMCMWDR–. •Smirix a Fig. 9. ? Mahngrenia micropoides. a. Foot. b. Dorsal bristle, c. Ventral bristle. 0-L J-0 I I Genus Nectochaeta, Marenzeller Nectochaeta caroli, Fauvel. Fauvel, 1916, p. 39, pi. i, figs. 24-27; pi. ii, figs. 16-18; and 1923, p. 91, fig. 35 a-f. St. 273. 3i.vii. 27. 9° 38'00" S, 12° 42'30" E. 200-230 (-0) m. Gear TYF. Three specimens. St.276. 5.viii.27. 5° 54'00" S, 11° 19'00" E. iio(-o)m. GearNiooB. Twenty-nine specimens. Remarks. These specimens correspond so closely to Fauvel's description that there is very httle I can add. The larger specimens have about 40
Terracotta wine amphora ca. 100 B.C. Roman The amphora comes from a shipwrecked cargo vessel (Grand Congloué B) that was explored by Capt. Cousteau and Prof. Benoît in 1952-3. The ship’s hold contained some 1,200–1,500 Roman wine amphorae made at or near Cosa in Etruria. The cargo was evidently destined for markets in Gaul, where Celtic chieftains had developed a taste for wine and tableware supplied by Roman merchants.. Terracotta wine amphora 254781 Roman, Terracotta wine amphora, ca. 100 B.C., Terracotta, H. 40 1/2 in. (102.9 cm). The Metropolitan Museum of Art, New York. Gift of Captain J Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-wine-amphora-ca-100-bc-roman-the-amphora-comes-from-a-shipwrecked-cargo-vessel-grand-conglou-b-that-was-explored-by-capt-cousteau-and-prof-benot-in-1952-3-the-ships-hold-contained-some-12001500-roman-wine-amphorae-made-at-or-near-cosa-in-etruria-the-cargo-was-evidently-destined-for-markets-in-gaul-where-celtic-chieftains-had-developed-a-taste-for-wine-and-tableware-supplied-by-roman-merchants-terracotta-wine-amphora-254781-roman-terracotta-wine-amphora-ca-100-bc-terracotta-h-40-12-in-1029-cm-the-metropolitan-museum-of-art-new-york-gift-of-captain-j-image458422131.html
RM2HHPX2Y–Terracotta wine amphora ca. 100 B.C. Roman The amphora comes from a shipwrecked cargo vessel (Grand Congloué B) that was explored by Capt. Cousteau and Prof. Benoît in 1952-3. The ship’s hold contained some 1,200–1,500 Roman wine amphorae made at or near Cosa in Etruria. The cargo was evidently destined for markets in Gaul, where Celtic chieftains had developed a taste for wine and tableware supplied by Roman merchants.. Terracotta wine amphora 254781 Roman, Terracotta wine amphora, ca. 100 B.C., Terracotta, H. 40 1/2 in. (102.9 cm). The Metropolitan Museum of Art, New York. Gift of Captain J
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.88 g, 2:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-488-g-200-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image392961454.html
RM2DR8X9J–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.88 g, 2:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
. Appleton's dictionary of machines, mechanics, engine-work, and engineering. B, hydrostatic cylinder. C C, wrought-iron cross-heada. D D, wrought-iron bars, connecting cross,heads C C. F, granite sills. H, screw-wheel, for forcing back the ram. E, Fig. 3120, compound levers, for ascertaining the strain: proportion, 1 to 200. Fig. 3122, section.. PUDDLERS BALLS, MACHINE FOR COMPRESSING, by J. P. Win-slow. Troy, N. Y. In Fig.3122^, A is the rotating cam-formed compressor. B B, two cylindrical bod rollers. 0, loop or bill of iron,resting upon and between the two bed-rollers in position for being Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/appletons-dictionary-of-machines-mechanics-engine-work-and-engineering-b-hydrostatic-cylinder-c-c-wrought-iron-cross-heada-d-d-wrought-iron-bars-connecting-crossheads-c-c-f-granite-sills-h-screw-wheel-for-forcing-back-the-ram-e-fig-3120-compound-levers-for-ascertaining-the-strain-proportion-1-to-200-fig-3122-section-puddlers-balls-machine-for-compressing-by-j-p-win-slow-troy-n-y-in-fig3122-a-is-the-rotating-cam-formed-compressor-b-b-two-cylindrical-bod-rollers-0-loop-or-bill-of-ironresting-upon-and-between-the-two-bed-rollers-in-position-for-being-image337077805.html
RM2AGB651–. Appleton's dictionary of machines, mechanics, engine-work, and engineering. B, hydrostatic cylinder. C C, wrought-iron cross-heada. D D, wrought-iron bars, connecting cross,heads C C. F, granite sills. H, screw-wheel, for forcing back the ram. E, Fig. 3120, compound levers, for ascertaining the strain: proportion, 1 to 200. Fig. 3122, section.. PUDDLERS BALLS, MACHINE FOR COMPRESSING, by J. P. Win-slow. Troy, N. Y. In Fig.3122^, A is the rotating cam-formed compressor. B B, two cylindrical bod rollers. 0, loop or bill of iron,resting upon and between the two bed-rollers in position for being
Seated Eros, Unknown, Canosa, South Italy, 325 - 200 B.C., Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-eros-unknown-canosa-south-italy-325-200-bc-terracotta-with-white-slip-and-polychromy-pink-black-light-blue-white-red-102-59-cm-4-2-516-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349920871.html
RF2B987HY–Seated Eros, Unknown, Canosa, South Italy, 325 - 200 B.C., Terracotta with white slip and polychromy (pink, black, light blue, white, red), 10.2 × 5.9 cm (4 × 2 5/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Cuba review. Cuba -- Periodicals. T UK (; II li A It V] V I V. w J. 900 â d. 800 e 700 â â â c - i 500 1 30C g 200 3 '00 .11 â. â -^ ^ . s. â â â ^ -^ i iK 4 ^ -(.aiiii' Kic-atcr in tli(! poHMiblo ooonomy, and the smaller the nparmociMipii'il. llsliiKli I'Dcdhciciit riiakiM IIjc: MMIci iJiir only elTi.'ct Huitud to low iiroHHuro niultiple-olTccts of thd fiinhcr onlciH -ni'xl,il|)lrs <)(:t,ii|)l<', cli-. 'I'lie l,illi<^ iiiiillipli' clfcct in IIki only on II). and nndcr. lii^vciHiiiK vapocH I'vcry thri'O lioniM il rnnsH practicrally widiont incniHlation on thi> li( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cuba-review-cuba-periodicals-t-uk-ii-li-a-it-v-v-i-v-w-j-900-d-800-e-700-c-i-500-1-30c-g-200-3-00-11-s-i-ik-4-aiiii-kic-atcr-in-tli!-pohmiblo-ooonomy-and-the-smaller-the-nparmocimipiiil-llsliikli-idcdhciciit-riiakim-iijc-mmici-ijiir-only-eltict-huitud-to-low-iirohhuro-niultiple-oltccts-of-thd-fiinhcr-onlcih-nixlillrs-lttiillt-cli-ilie-lillilt-iiiiillipli-clfcct-in-iiki-only-on-ii-and-nndcr-liivcihiiik-vapoch-ivcry-thrio-lionim-il-rnnsh-practicrally-widiont-incnihlation-on-thigt-li-image216333395.html
RMPFXRCK–. The Cuba review. Cuba -- Periodicals. T UK (; II li A It V] V I V. w J. 900 â d. 800 e 700 â â â c - i 500 1 30C g 200 3 '00 .11 â. â -^ ^ . s. â â â ^ -^ i iK 4 ^ -(.aiiii' Kic-atcr in tli(! poHMiblo ooonomy, and the smaller the nparmociMipii'il. llsliiKli I'Dcdhciciit riiakiM IIjc: MMIci iJiir only elTi.'ct Huitud to low iiroHHuro niultiple-olTccts of thd fiinhcr onlciH -ni'xl,il|)lrs <)(:t,ii|)l<', cli-. 'I'lie l,illi<^ iiiiillipli' clfcct in IIki only on II). and nndcr. lii^vciHiiiK vapocH I'vcry thri'O lioniM il rnnsH practicrally widiont incniHlation on thi> li(
. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . Fig. 249. Marsupella pygmaea. a Pflanze, Verg. â *°/i; b und c ausgebreitete Blätter, Verg. «% ; d Zellnetz in den Blattzipfeln, Verg. ^^^Vi; e Zellnetz in der Blattmitte, Verg. 200,'^^ bis 5 mm verbogen. Beblätte- rung dicht; Blätter dem Stengel anliegend, dieser gegen das Ende keulenförmig. Blät- ter ausgebreitet ei- förmig, durch fast recht- winkeligen, scharfen Ausschnitt ^Uâ'^/o, an sterilen Sprossen bis Y2 geteilt. Blattlappen eiförmig, spitz. Zell- netz getröpfelt, in den A^änden und Ecken Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dr-l-rabenhorsts-kryptogamen-flora-von-deutschland-oesterreich-und-der-schweiz-fig-249-marsupella-pygmaea-a-pflanze-verg-i-b-und-c-ausgebreitete-bltter-verg-d-zellnetz-in-den-blattzipfeln-verg-vi-e-zellnetz-in-der-blattmitte-verg-200-bis-5-mm-verbogen-bebltte-rung-dicht-bltter-dem-stengel-anliegend-dieser-gegen-das-ende-keulenfrmig-blt-ter-ausgebreitet-ei-frmig-durch-fast-recht-winkeligen-scharfen-ausschnitt-uo-an-sterilen-sprossen-bis-y2-geteilt-blattlappen-eifrmig-spitz-zell-netz-getrpfelt-in-den-anden-und-ecken-image178494062.html
RMMAB2YX–. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . Fig. 249. Marsupella pygmaea. a Pflanze, Verg. â *°/i; b und c ausgebreitete Blätter, Verg. «% ; d Zellnetz in den Blattzipfeln, Verg. ^^^Vi; e Zellnetz in der Blattmitte, Verg. 200,'^^ bis 5 mm verbogen. Beblätte- rung dicht; Blätter dem Stengel anliegend, dieser gegen das Ende keulenförmig. Blät- ter ausgebreitet ei- förmig, durch fast recht- winkeligen, scharfen Ausschnitt ^Uâ'^/o, an sterilen Sprossen bis Y2 geteilt. Blattlappen eiförmig, spitz. Zell- netz getröpfelt, in den A^änden und Ecken
Scene with don Quixote and grotesques. Poyntz, Francis (British, act.1668, d.1685) (workshop, attr.) [weaver] c. 1670-1680 Tapestry Dimensions: H 9'11' x W 7'10' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co. received from Henry Symons, invoiced 4/20/1929; returned, 6/30/1934. Carnavalesque figures holding open large piece of fabric; figure mounted on horseback (BRD) narrow band with vine scroll French & Co. stock sheet in archive, 16570-b [also lists: 35421] Washington, Treasure Houses of Britain (1985), 200, 201, no.132 Related Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-with-don-quixote-and-grotesques-poyntz-francis-british-act1668-d1685-workshop-attr-weaver-c-1670-1680-tapestry-dimensions-h-911-x-w-710-tapestry-materialstechniques-unknown-culture-english-weaving-center-unknown-ownership-history-french-co-received-from-henry-symons-invoiced-4201929-returned-6301934-carnavalesque-figures-holding-open-large-piece-of-fabric-figure-mounted-on-horseback-brd-narrow-band-with-vine-scroll-french-co-stock-sheet-in-archive-16570-b-also-lists-35421-washington-treasure-houses-of-britain-1985-200-201-no132-related-image600268832.html
RM2WTGH0G–Scene with don Quixote and grotesques. Poyntz, Francis (British, act.1668, d.1685) (workshop, attr.) [weaver] c. 1670-1680 Tapestry Dimensions: H 9'11' x W 7'10' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co. received from Henry Symons, invoiced 4/20/1929; returned, 6/30/1934. Carnavalesque figures holding open large piece of fabric; figure mounted on horseback (BRD) narrow band with vine scroll French & Co. stock sheet in archive, 16570-b [also lists: 35421] Washington, Treasure Houses of Britain (1985), 200, 201, no.132 Related
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.49 g, 9:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-449-g-900-16mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393155867.html
RM2DRHP8Y–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.49 g, 9:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
What they say about Sanitas modern wall covering . the hotel of knoxville EQUIPPED THROUGHOUTWITH AUTOMA TICSPRIHKLEPS 200 ROOMS ^SiA EUROPEAN PLANFIREPROOF I30ROOMS WITH PRIVATE TILED BATHS. ROOMS WITHOUT BATH $ IOOUP SO BOOMS WITH BATH S i so SO KOOMS WITH BATH#2.00 UP. pi EXCELLENT CAEE *T REASONABLE PRICES ^ OTUE-Ms^fM HTK ? ™ i p§ 0£>*>OS/T£ SOUTHERN NY.,PASSENQef* STATION, UNDER THE MANAGEMENT OF THE ATKIN COMPANY C.B. ATKIN , PRWT Kh owvi/Jo, 7knn. The Standard Textile Products Co.,320 Broadway,New York, N. Y,Gentlemen:- We used SANITAS Modern Wall Coveringon 135 Bath-rooms of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/what-they-say-about-sanitas-modern-wall-covering-the-hotel-of-knoxville-equipped-throughoutwith-automa-ticsprihkleps-200-rooms-sia-european-planfireproof-i30rooms-with-private-tiled-baths-rooms-without-bath-iooup-so-booms-with-bath-s-i-so-so-kooms-with-bath200-up-pi-excellent-caee-t-reasonable-prices-otue-msfm-htk-i-p-0gtgtost-southern-nypassenqef-station-under-the-management-of-the-atkin-company-cb-atkin-prwt-kh-owvijo-7knn-the-standard-textile-products-co320-broadwaynew-york-n-ygentlemen-we-used-sanitas-modern-wall-coveringon-135-bath-rooms-of-the-image340059952.html
RM2AN71X8–What they say about Sanitas modern wall covering . the hotel of knoxville EQUIPPED THROUGHOUTWITH AUTOMA TICSPRIHKLEPS 200 ROOMS ^SiA EUROPEAN PLANFIREPROOF I30ROOMS WITH PRIVATE TILED BATHS. ROOMS WITHOUT BATH $ IOOUP SO BOOMS WITH BATH S i so SO KOOMS WITH BATH#2.00 UP. pi EXCELLENT CAEE *T REASONABLE PRICES ^ OTUE-Ms^fM HTK ? ™ i p§ 0£>*>OS/T£ SOUTHERN NY.,PASSENQef* STATION, UNDER THE MANAGEMENT OF THE ATKIN COMPANY C.B. ATKIN , PRWT Kh owvi/Jo, 7knn. The Standard Textile Products Co.,320 Broadway,New York, N. Y,Gentlemen:- We used SANITAS Modern Wall Coveringon 135 Bath-rooms of the
Attic Black-Figure Neck Amphora Fragment (part of 81.AE.200.35.22), Unknown, Athens, Greece, 530–510 B.C., Terracotta, 3 × 5.2 cm (1 3/16 × 2 1/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-neck-amphora-fragment-part-of-81ae2003522-unknown-athens-greece-530510-bc-terracotta-3-52-cm-1-316-2-116-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349899316.html
RF2B97844–Attic Black-Figure Neck Amphora Fragment (part of 81.AE.200.35.22), Unknown, Athens, Greece, 530–510 B.C., Terracotta, 3 × 5.2 cm (1 3/16 × 2 1/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Psyche's arrival at Cupid's palace. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'0.5' x W 20'0.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London), early 20th century (Bremmer cat. 11 a-c), thereafte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/psyches-arrival-at-cupids-palace-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-c-1741-1770-tapestry-dimensions-h-1105-x-w-2005-tapestry-materialstechniques-wool-silk-warp-20-22cm-modern-cotton-linings-culture-french-weaving-center-beauvais-ownership-history-possibly-part-of-a-set-of-three-bremmer-cat-11-a-c-woven-for-m-dauriac-1741-1742-sir-anthony-de-rothschild-london-early-20th-century-bremmer-cat-11-a-c-thereafte-image600255602.html
RM2WTG042–Psyche's arrival at Cupid's palace. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'0.5' x W 20'0.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London), early 20th century (Bremmer cat. 11 a-c), thereafte
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.51 g, 4:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-551-g-400-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393474694.html
RM2DT48YJ–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.51 g, 4:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Shipbuilding and Shipping Record . 200 B.H.P. SKANniA Marine Engine. 4 Cylinder Direct Reversible. Uses Crude Oil with Hot Bulb Ignition. No water injection. Water-cooled Cylinder Head. Prices and full particulars from WALTER D. FAIR & CO., 43, Leicester Square, LONDON, W.C. Agents for Austr.ilasia : Nelson & Robertson, 11-15, Loftus St., SYDNEY. December 16, 1915. SHIPBUILDING AND SHIPPING RECORD. JAMES HOWDEN 8 CO., LTD. Jiead Offiees ^ Works: SCOTLAND STREET, GLASGOW. HOWDENS PATENT FORGEDDRAUGHT SYSTEM. STEAM TURBINES. HIGH-SPEED ENGINES. PATENT COMBINATION BOILERS. WALLSEND - HOWDEN PATEN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shipbuilding-and-shipping-record-200-bhp-skannia-marine-engine-4-cylinder-direct-reversible-uses-crude-oil-with-hot-bulb-ignition-no-water-injection-water-cooled-cylinder-head-prices-and-full-particulars-from-walter-d-fair-co-43-leicester-square-london-wc-agents-for-austrilasia-nelson-robertson-11-15-loftus-st-sydney-december-16-1915-shipbuilding-and-shipping-record-james-howden-8-co-ltd-jiead-offiees-works-scotland-street-glasgow-howdens-patent-forgeddraught-system-steam-turbines-high-speed-engines-patent-combination-boilers-wallsend-howden-paten-image342667427.html
RM2AWDRPB–Shipbuilding and Shipping Record . 200 B.H.P. SKANniA Marine Engine. 4 Cylinder Direct Reversible. Uses Crude Oil with Hot Bulb Ignition. No water injection. Water-cooled Cylinder Head. Prices and full particulars from WALTER D. FAIR & CO., 43, Leicester Square, LONDON, W.C. Agents for Austr.ilasia : Nelson & Robertson, 11-15, Loftus St., SYDNEY. December 16, 1915. SHIPBUILDING AND SHIPPING RECORD. JAMES HOWDEN 8 CO., LTD. Jiead Offiees ^ Works: SCOTLAND STREET, GLASGOW. HOWDENS PATENT FORGEDDRAUGHT SYSTEM. STEAM TURBINES. HIGH-SPEED ENGINES. PATENT COMBINATION BOILERS. WALLSEND - HOWDEN PATEN
Ritual wine vessel, Ritual wine barrel cover, green, gray and brown patina., anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), bronze (metal), founding, h 4.3 cm × d 10.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ritual-wine-vessel-ritual-wine-barrel-cover-green-gray-and-brown-patina-anonymous-china-500-200-zhou-dynasty-1050-bc-221-bc-bronze-metal-founding-h-43-cm-d-108-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349938665.html
RF2B9929D–Ritual wine vessel, Ritual wine barrel cover, green, gray and brown patina., anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), bronze (metal), founding, h 4.3 cm × d 10.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Der Ornithologische Beobachter. Birds; Birds. G6 Le 16 decembre 1911, il y avait encore un vol d'eiiviron 200 mouettes dans les pres et champs, entre Orbe et Chavornay. M. Moreillon. Passage de nucifraga c. leptorhynchus Bis. aux environs de Geneve. Le casse-noix oriental, caracterise par son bec mince rjui le distingue de la füniie des Aljies ä bec (5pais (nucifraga c. pac/ii/ri/ne/iasj se niontra aux environs de Geneve, en octobre. Je Signale les sujets qua j'ai eus entre les niains: 10 octobre 1911, Rolle (Vaud), male (le squelette est au museum de Geneve). 12 „ 1911, Geneve (lac), femell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-ornithologische-beobachter-birds-birds-g6-le-16-decembre-1911-il-y-avait-encore-un-vol-deiiviron-200-mouettes-dans-les-pres-et-champs-entre-orbe-et-chavornay-m-moreillon-passage-de-nucifraga-c-leptorhynchus-bis-aux-environs-de-geneve-le-casse-noix-oriental-caracterise-par-son-bec-mince-rjui-le-distingue-de-la-fniie-des-aljies-bec-5pais-nucifraga-c-paciirineiasj-se-niontra-aux-environs-de-geneve-en-octobre-je-signale-les-sujets-qua-jai-eus-entre-les-niains-10-octobre-1911-rolle-vaud-male-le-squelette-est-au-museum-de-geneve-12-1911-geneve-lac-femell-image216002288.html
RMPFBN3C–. Der Ornithologische Beobachter. Birds; Birds. G6 Le 16 decembre 1911, il y avait encore un vol d'eiiviron 200 mouettes dans les pres et champs, entre Orbe et Chavornay. M. Moreillon. Passage de nucifraga c. leptorhynchus Bis. aux environs de Geneve. Le casse-noix oriental, caracterise par son bec mince rjui le distingue de la füniie des Aljies ä bec (5pais (nucifraga c. pac/ii/ri/ne/iasj se niontra aux environs de Geneve, en octobre. Je Signale les sujets qua j'ai eus entre les niains: 10 octobre 1911, Rolle (Vaud), male (le squelette est au museum de Geneve). 12 „ 1911, Geneve (lac), femell
. Fig. 130. Protomyces macrosiiorns Vnger. A Mycel mit jungen Schläuclien; B junge, C reife Schläuche ; i) keimende Schläuche, Protoplasma in die Sporen geteilt; E Schlauch mit reifen Sporen; J^ Entleerung der Sporen; 0 copu- lierende Sporen. {A etwa 100/1, B-E 390/1, F 200/1, G 500/1.) (Nach De Bary.) Nur 4 Arten sicher hierher zu stellen, davon 3 in Europa, 1 in Nordamerika, 1 in Südamerika, 'I in Afrika. In die Gattung Protomyces wurden von früheren Autoren zahlreiche Formen aufgeführt, die darin übereinstimmten, dass sie parasitisch im Gewebe lebender Pfl. leben, hier Sporen bilden, die ni Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-130-protomyces-macrosiiorns-vnger-a-mycel-mit-jungen-schluclien-b-junge-c-reife-schluche-i-keimende-schluche-protoplasma-in-die-sporen-geteilt-e-schlauch-mit-reifen-sporen-j-entleerung-der-sporen-0-copu-lierende-sporen-a-etwa-1001-b-e-3901-f-2001-g-5001-nach-de-bary-nur-4-arten-sicher-hierher-zu-stellen-davon-3-in-europa-1-in-nordamerika-1-in-sdamerika-i-in-afrika-in-die-gattung-protomyces-wurden-von-frheren-autoren-zahlreiche-formen-aufgefhrt-die-darin-bereinstimmten-dass-sie-parasitisch-im-gewebe-lebender-pfl-leben-hier-sporen-bilden-die-ni-image180021281.html
RMMCTJYD–. Fig. 130. Protomyces macrosiiorns Vnger. A Mycel mit jungen Schläuclien; B junge, C reife Schläuche ; i) keimende Schläuche, Protoplasma in die Sporen geteilt; E Schlauch mit reifen Sporen; J^ Entleerung der Sporen; 0 copu- lierende Sporen. {A etwa 100/1, B-E 390/1, F 200/1, G 500/1.) (Nach De Bary.) Nur 4 Arten sicher hierher zu stellen, davon 3 in Europa, 1 in Nordamerika, 1 in Südamerika, 'I in Afrika. In die Gattung Protomyces wurden von früheren Autoren zahlreiche Formen aufgeführt, die darin übereinstimmten, dass sie parasitisch im Gewebe lebender Pfl. leben, hier Sporen bilden, die ni
Scene with don Quixote and grotesques. Poyntz, Francis (British, act.1668, d.1685) (workshop, attr.) [weaver] c. 1670-1680 Tapestry Dimensions: H 7'10' x W 5' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co. received from Henry Symons, invoiced 4/20/1929; returned, 6/30/1934. Grotesque-like knight figure mounted on grotesque-like horse; 2 women at top of scene (BRD) narrow band with vine scroll French & Co. stock sheet in archive, 16570-b [also lists: 35421] Washington, Treasure Houses of Britain (1985), 200, 201, no.132 Related Wo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-with-don-quixote-and-grotesques-poyntz-francis-british-act1668-d1685-workshop-attr-weaver-c-1670-1680-tapestry-dimensions-h-710-x-w-5-tapestry-materialstechniques-unknown-culture-english-weaving-center-unknown-ownership-history-french-co-received-from-henry-symons-invoiced-4201929-returned-6301934-grotesque-like-knight-figure-mounted-on-grotesque-like-horse-2-women-at-top-of-scene-brd-narrow-band-with-vine-scroll-french-co-stock-sheet-in-archive-16570-b-also-lists-35421-washington-treasure-houses-of-britain-1985-200-201-no132-related-wo-image600269276.html
RM2WTGHGC–Scene with don Quixote and grotesques. Poyntz, Francis (British, act.1668, d.1685) (workshop, attr.) [weaver] c. 1670-1680 Tapestry Dimensions: H 7'10' x W 5' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co. received from Henry Symons, invoiced 4/20/1929; returned, 6/30/1934. Grotesque-like knight figure mounted on grotesque-like horse; 2 women at top of scene (BRD) narrow band with vine scroll French & Co. stock sheet in archive, 16570-b [also lists: 35421] Washington, Treasure Houses of Britain (1985), 200, 201, no.132 Related Wo
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.40 g, 8:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-440-g-800-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393545419.html
RM2DT7F5F–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.40 g, 8:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
. Shipbuilding and Shipping Record. INTERCHANGEABLE AND WITHDRAWABLE TYPES. BACK ENDS FLANGED TO ANY DESIGN. MADE UNDER ALL SURVEYS. THOMAS PI6G0TT & CO., Ltd., BIRMINGHAM. • Telegrams : Atlas, P.irmingham. (.C SKANDIAn marinp: oil engines 5 to 500 H.P.. 200 B.H.P. SKANIUA Marine Engine. 4 Cylinder Direct Reversible. Uses Crude Oil with Hot Bulb Ignition. No water injection. Water-cooled Cylinder Head. Prices and full particulars from WALTER D. FAIR & CO., 43, Leicester Square, LONDON, W.C.Agents for Australasia: Nelson & Robertson, 11-15, Loftus St., SYDNKY. ^WAINS Blocks — GIVE BRILLIANT RES Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shipbuilding-and-shipping-record-interchangeable-and-withdrawable-types-back-ends-flanged-to-any-design-made-under-all-surveys-thomas-pi6g0tt-co-ltd-birmingham-telegrams-atlas-pirmingham-c-skandian-marinp-oil-engines-5-to-500-hp-200-bhp-skaniua-marine-engine-4-cylinder-direct-reversible-uses-crude-oil-with-hot-bulb-ignition-no-water-injection-water-cooled-cylinder-head-prices-and-full-particulars-from-walter-d-fair-co-43-leicester-square-london-wcagents-for-australasia-nelson-robertson-11-15-loftus-st-sydnky-wains-blocks-give-brilliant-res-image336787181.html
RM2AFWYDH–. Shipbuilding and Shipping Record. INTERCHANGEABLE AND WITHDRAWABLE TYPES. BACK ENDS FLANGED TO ANY DESIGN. MADE UNDER ALL SURVEYS. THOMAS PI6G0TT & CO., Ltd., BIRMINGHAM. • Telegrams : Atlas, P.irmingham. (.C SKANDIAn marinp: oil engines 5 to 500 H.P.. 200 B.H.P. SKANIUA Marine Engine. 4 Cylinder Direct Reversible. Uses Crude Oil with Hot Bulb Ignition. No water injection. Water-cooled Cylinder Head. Prices and full particulars from WALTER D. FAIR & CO., 43, Leicester Square, LONDON, W.C.Agents for Australasia: Nelson & Robertson, 11-15, Loftus St., SYDNKY. ^WAINS Blocks — GIVE BRILLIANT RES
Statuette of Aphrodite Leaning on a Pillar, Tanagra, Greece, 250 - 200 B.C, Terracotta with polychromy, 27.1 × 12.5 × 7 cm (10 11,16 × 4 15,16 × 2 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statuette-of-aphrodite-leaning-on-a-pillar-tanagra-greece-250-200-bc-terracotta-with-polychromy-271-125-7-cm-10-1116-4-1516-2-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350024541.html
RF2B9CYTD–Statuette of Aphrodite Leaning on a Pillar, Tanagra, Greece, 250 - 200 B.C, Terracotta with polychromy, 27.1 × 12.5 × 7 cm (10 11,16 × 4 15,16 × 2 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. da xing an ling sen lin zi yuan diao cha bao gao. botany. 0.5 0.4 T, &. è½^^ãä¸èé¡æåI itm^âæ ª ã g ä¸ W 100年以ä¸å «æ¡è§£ææ¨å¹³:(^|^ 103âIGO^æ 解;ffr^å¹³åæ° 160â23Gå¹´åæ ªè§£ææ¨å¹³åft // Sâ// ä¸æ ªè§£ææ¨å¹³åæ° -ç¶ 1^^â麵1«翻 æ ª æå§ 'å½¢æ° 0.3 50 ã50 200. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. te zhong zong he diao cha dui bian. su lian nong ye bu quan lian sen lin diao cha she ji zong ju chu ban Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/da-xing-an-ling-sen-lin-zi-yuan-diao-cha-bao-gao-botany-05-04-t-amp-i-itm-g-w-100-103igo-ffr-16023g-ft-s-11-03-50-50-200-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-te-zhong-zong-he-diao-cha-dui-bian-su-lian-nong-ye-bu-quan-lian-sen-lin-diao-cha-she-ji-zong-ju-chu-ban-image216098186.html
RMPFG3CA–. da xing an ling sen lin zi yuan diao cha bao gao. botany. 0.5 0.4 T, &. è½^^ãä¸èé¡æåI itm^âæ ª ã g ä¸ W 100年以ä¸å «æ¡è§£ææ¨å¹³:(^|^ 103âIGO^æ 解;ffr^å¹³åæ° 160â23Gå¹´åæ ªè§£ææ¨å¹³åft // Sâ// ä¸æ ªè§£ææ¨å¹³åæ° -ç¶ 1^^â麵1«翻 æ ª æå§ 'å½¢æ° 0.3 50 ã50 200. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. te zhong zong he diao cha dui bian. su lian nong ye bu quan lian sen lin diao cha she ji zong ju chu ban
. Fig. 279. A, B Cryptosporella hypodermia (Fr,) Sacc. A Schlaucli (200|1); B Stück vom Hymenium der Pyknide (300/1). — CD Cryptospora suffusa (Fr.) Tul. C Perithecienbüschel eines Stromas (20/1); D Schlauch (380|1). — E, F C. Betulae Tnl. E Stroma von oben und im Längsschnitt (20/1); F Schlauch (380/1). — 0L Valsaria Tiliae (Pers.) de Not. G Habitus (10(1); H Stroma im Längsschnitt (20/1); J Schläuche (3S0|1); A' Stück des Conidien- lagers (3S0|1); L Stroma mit dem Conidienlager im Längsschnitt (30|1). {A, B nach Brefeld;. das übrige nach Tulasn e.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-279-a-b-cryptosporella-hypodermia-fr-sacc-a-schlaucli-2001-b-stck-vom-hymenium-der-pyknide-3001-cd-cryptospora-suffusa-fr-tul-c-perithecienbschel-eines-stromas-201-d-schlauch-3801-e-f-c-betulae-tnl-e-stroma-von-oben-und-im-lngsschnitt-201-f-schlauch-3801-0l-valsaria-tiliae-pers-de-not-g-habitus-101-h-stroma-im-lngsschnitt-201-j-schluche-3s01-a-stck-des-conidien-lagers-3s01-l-stroma-mit-dem-conidienlager-im-lngsschnitt-301-a-b-nach-brefeld-das-brige-nach-tulasn-e-image180020734.html
RMMCTJ7X–. Fig. 279. A, B Cryptosporella hypodermia (Fr,) Sacc. A Schlaucli (200|1); B Stück vom Hymenium der Pyknide (300/1). — CD Cryptospora suffusa (Fr.) Tul. C Perithecienbüschel eines Stromas (20/1); D Schlauch (380|1). — E, F C. Betulae Tnl. E Stroma von oben und im Längsschnitt (20/1); F Schlauch (380/1). — 0L Valsaria Tiliae (Pers.) de Not. G Habitus (10(1); H Stroma im Längsschnitt (20/1); J Schläuche (3S0|1); A' Stück des Conidien- lagers (3S0|1); L Stroma mit dem Conidienlager im Längsschnitt (30|1). {A, B nach Brefeld;. das übrige nach Tulasn e.)
Psyche's arrival at Cupid's palace. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'0.5' x W 20'0.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London), early 20th century (Bremmer cat. 11 a-c), thereafte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/psyches-arrival-at-cupids-palace-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-c-1741-1770-tapestry-dimensions-h-1105-x-w-2005-tapestry-materialstechniques-wool-silk-warp-20-22cm-modern-cotton-linings-culture-french-weaving-center-beauvais-ownership-history-possibly-part-of-a-set-of-three-bremmer-cat-11-a-c-woven-for-m-dauriac-1741-1742-sir-anthony-de-rothschild-london-early-20th-century-bremmer-cat-11-a-c-thereafte-image600256661.html
RM2WTG1DW–Psyche's arrival at Cupid's palace. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'0.5' x W 20'0.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London), early 20th century (Bremmer cat. 11 a-c), thereafte
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.56 g, 5:00, 18 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-556-g-500-18mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image392962362.html
RM2DR8YE2–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.56 g, 5:00, 18 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Contributions from the United States National Herbarium . 200 |jm Figure 89. Leaf blade surfaces. A & B. Festuca boyacensis. A. Abaxial epidermis, detail view of silica bodies. B. Adaxial epider-mis, detail view of stomata and macro-hairs and cell walls covered with wax. C & D. F carchiense. C. Abaxial epidermis, view oflong and short cells and sparse prickles. D. Adaxial epidermis with ribs covered with short macro-hairs. E & F. F. chimborazensissubsp. chimborazensis. E. Abaxial epidermis with small ribs. F. Abaxial epidermis, detail view of silica bodies. A & B, Stancik2166 (PRC); C & D, Lae Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/contributions-from-the-united-states-national-herbarium-200-jm-figure-89-leaf-blade-surfaces-a-b-festuca-boyacensis-a-abaxial-epidermis-detail-view-of-silica-bodies-b-adaxial-epider-mis-detail-view-of-stomata-and-macro-hairs-and-cell-walls-covered-with-wax-c-d-f-carchiense-c-abaxial-epidermis-view-oflong-and-short-cells-and-sparse-prickles-d-adaxial-epidermis-with-ribs-covered-with-short-macro-hairs-e-f-f-chimborazensissubsp-chimborazensis-e-abaxial-epidermis-with-small-ribs-f-abaxial-epidermis-detail-view-of-silica-bodies-a-b-stancik2166-prc-c-d-lae-image338315193.html
RM2AJBGDD–Contributions from the United States National Herbarium . 200 |jm Figure 89. Leaf blade surfaces. A & B. Festuca boyacensis. A. Abaxial epidermis, detail view of silica bodies. B. Adaxial epider-mis, detail view of stomata and macro-hairs and cell walls covered with wax. C & D. F carchiense. C. Abaxial epidermis, view oflong and short cells and sparse prickles. D. Adaxial epidermis with ribs covered with short macro-hairs. E & F. F. chimborazensissubsp. chimborazensis. E. Abaxial epidermis with small ribs. F. Abaxial epidermis, detail view of silica bodies. A & B, Stancik2166 (PRC); C & D, Lae
Statuette of a Comic Actor, Unknown, Apulia, South Italy, 400 - 200 B.C., Terracotta with white slip, 10.3 × 4.1 × 6.4 cm (4 1/16 × 1 5/8 × 2 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statuette-of-a-comic-actor-unknown-apulia-south-italy-400-200-bc-terracotta-with-white-slip-103-41-64-cm-4-116-1-58-2-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349900127.html
RF2B97953–Statuette of a Comic Actor, Unknown, Apulia, South Italy, 400 - 200 B.C., Terracotta with white slip, 10.3 × 4.1 × 6.4 cm (4 1/16 × 1 5/8 × 2 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Fig. 267. A Vrospora Cocciferae H. Fabre, Sporen (1000/1). â BD Fhysalospora Festucae (Lib.) Sacc. B Habitus des Pilzes; C 2 Fruchtkörper im Längsschnitt, vergr.; D Schlauch, stark vergr. â Eâ6 Arcangelia Hepaticarum Sacc. E Habitus, nat. Gr.; F Querschnitt durch einen Frnchtkörper, vergr.; O Schlauch mit Paraphyse, sehr stark vergr. â EâL Ventmia ditricha (Fries) Karst, f. Betnlae. U Habitus des Pilzes; J ein Fruchtkörper im Längs- schnitt, vergr.; K Schlauch (350|1); L Conidienträger (200(1). (A nach H. Fahre; C, D, J nach Winter; EâG nach Saccardo; A", X nach Brefeld; B, à Ori Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-267-a-vrospora-cocciferae-h-fabre-sporen-10001-bd-fhysalospora-festucae-lib-sacc-b-habitus-des-pilzes-c-2-fruchtkrper-im-lngsschnitt-vergr-d-schlauch-stark-vergr-e6-arcangelia-hepaticarum-sacc-e-habitus-nat-gr-f-querschnitt-durch-einen-frnchtkrper-vergr-o-schlauch-mit-paraphyse-sehr-stark-vergr-el-ventmia-ditricha-fries-karst-f-betnlae-u-habitus-des-pilzes-j-ein-fruchtkrper-im-lngs-schnitt-vergr-k-schlauch-3501-l-conidientrger-2001-a-nach-h-fahre-c-d-j-nach-winter-eg-nach-saccardo-aquot-x-nach-brefeld-b-ori-image180020753.html
RMMCTJ8H–. Fig. 267. A Vrospora Cocciferae H. Fabre, Sporen (1000/1). â BD Fhysalospora Festucae (Lib.) Sacc. B Habitus des Pilzes; C 2 Fruchtkörper im Längsschnitt, vergr.; D Schlauch, stark vergr. â Eâ6 Arcangelia Hepaticarum Sacc. E Habitus, nat. Gr.; F Querschnitt durch einen Frnchtkörper, vergr.; O Schlauch mit Paraphyse, sehr stark vergr. â EâL Ventmia ditricha (Fries) Karst, f. Betnlae. U Habitus des Pilzes; J ein Fruchtkörper im Längs- schnitt, vergr.; K Schlauch (350|1); L Conidienträger (200(1). (A nach H. Fahre; C, D, J nach Winter; EâG nach Saccardo; A", X nach Brefeld; B, à Ori
Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-a-u0022pledge-of-unityu0022-scroll-signed-by-1200-mayors-957am-presentation-of-a-u0022declaration-of-unityu0022-scroll-signed-by-1200-mayors-given-to-president-john-f-kennedy-as-part-of-the-mayors-of-america-unity-program-l-r-mayor-of-atlanta-georgia-william-b-hartsfield-mayor-of-tucson-arizona-don-hummel-president-kennedy-mayor-of-woburn-massachusetts-john-f-gilgun-jr-in-back-mayor-of-cleveland-ohio-anthony-j-celebrezze-rose-garden-white-house-washington-dc-image402930648.html
RM2EBF248–Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C.
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.21 g, 7:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-521-g-700-16mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image392967987.html
RM2DR96JY–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 5.21 g, 7:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
Acari, Myriopoda et Scorpiones hucusque in Italia reperta . Myr. osterr. Mon. 1. p. 200, tab. IX, fig. 80-82. Lamina cephalica (i) parva, trophos fere omninoobtegens. Antennae filiformes, leniter clavatas (i). Labrum(5-a) subevanidum, sive linea arcuata chitinea vix signi-ficatum, et margine anteriore orali, pilis longis fimbria-tim ornato. Mandibularum ( 4 ) stipes setulis totus ve-stitus, laminaque pectinata unica armatus. Maxillarum(3j mala externa [b) parva, biarticulata, apice rotundata.simplex; interna (c) magna. Unguis palpi labialis [u)minimus. Pedum maxillarium (2) coxae coalitae, lin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/acari-myriopoda-et-scorpiones-hucusque-in-italia-reperta-myr-osterr-mon-1-p-200-tab-ix-fig-80-82-lamina-cephalica-i-parva-trophos-fere-omninoobtegens-antennae-filiformes-leniter-clavatas-i-labrum5-a-subevanidum-sive-linea-arcuata-chitinea-vix-signi-ficatum-et-margine-anteriore-orali-pilis-longis-fimbria-tim-ornato-mandibularum-4-stipes-setulis-totus-ve-stitus-laminaque-pectinata-unica-armatus-maxillarum3j-mala-externa-b-parva-biarticulata-apice-rotundatasimplex-interna-c-magna-unguis-palpi-labialis-uminimus-pedum-maxillarium-2-coxae-coalitae-lin-image340263171.html
RM2ANG943–Acari, Myriopoda et Scorpiones hucusque in Italia reperta . Myr. osterr. Mon. 1. p. 200, tab. IX, fig. 80-82. Lamina cephalica (i) parva, trophos fere omninoobtegens. Antennae filiformes, leniter clavatas (i). Labrum(5-a) subevanidum, sive linea arcuata chitinea vix signi-ficatum, et margine anteriore orali, pilis longis fimbria-tim ornato. Mandibularum ( 4 ) stipes setulis totus ve-stitus, laminaque pectinata unica armatus. Maxillarum(3j mala externa [b) parva, biarticulata, apice rotundata.simplex; interna (c) magna. Unguis palpi labialis [u)minimus. Pedum maxillarium (2) coxae coalitae, lin
Statuette of a Standing Woman, Unknown, Canosa, South Italy, 325 - 200 B.C., Terracotta with white ground and polychromy (brownish red, pink, light blue, red), 23.5 × 7.3 cm (9 1/4 × 2 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statuette-of-a-standing-woman-unknown-canosa-south-italy-325-200-bc-terracotta-with-white-ground-and-polychromy-brownish-red-pink-light-blue-red-235-73-cm-9-14-2-78-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349895649.html
RF2B973D5–Statuette of a Standing Woman, Unknown, Canosa, South Italy, 325 - 200 B.C., Terracotta with white ground and polychromy (brownish red, pink, light blue, red), 23.5 × 7.3 cm (9 1/4 × 2 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. dan bai zhi he mei xue yan jiu fang fa. botany. å¾4å¾ä¸-æ æç¶ä¸-æ¥itæ ·å¨ï¼ä¸é¨ä¸è´®æ¶²ç¶æä¸å°å-èé, 两ç¶å æCç液é¢é«åº¦ç¸é½ãå®è£ å,éä»ç»æèé管ä¸-ç æ°æ³¡æé¤ï¼å¹¶å¤¹ä½ï¼é¿å ä¸åæµåº¦çç¼å²æ¶²æ··åãæ´è±å¼å§ å,ææèé管æå¼,并å¼å§æ ä¼´ã. 50 100 0.å ol/L> 3 O.3mol/L 150 200 ,al/Læ´è±ä½ç§¯. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. lu zi xian. ke xue chu ban she Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dan-bai-zhi-he-mei-xue-yan-jiu-fang-fa-botany-4-it-c-50-100-0-ollgt-3-o3moll-150-200-all-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-lu-zi-xian-ke-xue-chu-ban-she-image216142062.html
RMPFJ3BA–. dan bai zhi he mei xue yan jiu fang fa. botany. å¾4å¾ä¸-æ æç¶ä¸-æ¥itæ ·å¨ï¼ä¸é¨ä¸è´®æ¶²ç¶æä¸å°å-èé, 两ç¶å æCç液é¢é«åº¦ç¸é½ãå®è£ å,éä»ç»æèé管ä¸-ç æ°æ³¡æé¤ï¼å¹¶å¤¹ä½ï¼é¿å ä¸åæµåº¦çç¼å²æ¶²æ··åãæ´è±å¼å§ å,ææèé管æå¼,并å¼å§æ ä¼´ã. 50 100 0.å ol/L> 3 O.3mol/L 150 200 ,al/Læ´è±ä½ç§¯. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. lu zi xian. ke xue chu ban she
. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . 78 19 W ZI 2Z 23 24 25 26 Z7 Fig. 69. Chrysanthemum segetum. Curven der Strahlenblüthen in den primären Köpfchen. A Curve der 13-strahligen Rasse. B Curve der 21 - strahligen Rasse. C C^ Curve der gemischten Saat. Vergl. Bd. I, S. 527 und 529. Die dort gegebenen Zahlen sind hier in Procenten umgerechnet; die Summe dieser Procentzahlen ist für A und B auf je 100, für C C aber auf 200 gestellt. Die Curve C C umfasst also ebenso viele Individuen wie die Curven A und B zusammen. Man sieht sofort, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-mutationstheorie-versuche-und-beobachtungen-ber-die-entstehung-von-arten-im-pflanzenreich-78-19-w-zi-2z-23-24-25-26-z7-fig-69-chrysanthemum-segetum-curven-der-strahlenblthen-in-den-primren-kpfchen-a-curve-der-13-strahligen-rasse-b-curve-der-21-strahligen-rasse-c-c-curve-der-gemischten-saat-vergl-bd-i-s-527-und-529-die-dort-gegebenen-zahlen-sind-hier-in-procenten-umgerechnet-die-summe-dieser-procentzahlen-ist-fr-a-und-b-auf-je-100-fr-c-c-aber-auf-200-gestellt-die-curve-c-c-umfasst-also-ebenso-viele-individuen-wie-die-curven-a-und-b-zusammen-man-sieht-sofort-image180879750.html
RMME7NY2–. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . 78 19 W ZI 2Z 23 24 25 26 Z7 Fig. 69. Chrysanthemum segetum. Curven der Strahlenblüthen in den primären Köpfchen. A Curve der 13-strahligen Rasse. B Curve der 21 - strahligen Rasse. C C^ Curve der gemischten Saat. Vergl. Bd. I, S. 527 und 529. Die dort gegebenen Zahlen sind hier in Procenten umgerechnet; die Summe dieser Procentzahlen ist für A und B auf je 100, für C C aber auf 200 gestellt. Die Curve C C umfasst also ebenso viele Individuen wie die Curven A und B zusammen. Man sieht sofort,
Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-a-u0022pledge-of-unityu0022-scroll-signed-by-1200-mayors-957am-presentation-of-a-u0022declaration-of-unityu0022-scroll-signed-by-1200-mayors-given-to-president-john-f-kennedy-as-part-of-the-mayors-of-america-unity-program-l-r-mayor-of-atlanta-georgia-william-b-hartsfield-mayor-of-tucson-arizona-don-hummel-president-kennedy-mayor-of-woburn-massachusetts-john-f-gilgun-jr-in-back-mayor-of-cleveland-ohio-anthony-j-celebrezze-rose-garden-white-house-washington-dc-image402930629.html
RM2EBF23H–Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C.
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.44 g, 12:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-444-g-1200-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image392961758.html
RM2DR8XME–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.44 g, 12:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
. The Canadian druggist. eci-mens. 20 PRESCRIPTIONS Examiner—J. T. Pepper.Tiine allowed, two hours. Value. R ^ (a) Write the above prescrijAion in jilainEnglish. 20 (b) Write the letters in the abbreviationjust before the directions, and also write theunconlracted word in full L,atin, and trans-late it into jjlain English. (c) For what I^atin word does 41astand, and give its exact fCnglisli translation. 2. R Salicylic Acid grs. 200 12 vSodium I5icarbonate .... grs. 120 Wine Colchici Sem i 11. dr. Syr. Sarsap. Comp 6 11. drs. Dist. Water to make .... 3 fl. ozsM. ft. Sol. (a) Between which two i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-canadian-druggist-eci-mens-20-prescriptions-examinerj-t-peppertiine-allowed-two-hours-value-r-a-write-the-above-prescrijaion-in-jilainenglish-20-b-write-the-letters-in-the-abbreviationjust-before-the-directions-and-also-write-theunconlracted-word-in-full-latin-and-trans-late-it-into-jjlain-english-c-for-what-iatin-word-does-41astand-and-give-its-exact-fcnglisli-translation-2-r-salicylic-acid-grs-200-12-vsodium-i5icarbonate-grs-120-wine-colchici-sem-i-11-dr-syr-sarsap-comp-6-11-drs-dist-water-to-make-3-fl-ozsm-ft-sol-a-between-which-two-i-image336615024.html
RM2AFJ3W4–. The Canadian druggist. eci-mens. 20 PRESCRIPTIONS Examiner—J. T. Pepper.Tiine allowed, two hours. Value. R ^ (a) Write the above prescrijAion in jilainEnglish. 20 (b) Write the letters in the abbreviationjust before the directions, and also write theunconlracted word in full L,atin, and trans-late it into jjlain English. (c) For what I^atin word does 41astand, and give its exact fCnglisli translation. 2. R Salicylic Acid grs. 200 12 vSodium I5icarbonate .... grs. 120 Wine Colchici Sem i 11. dr. Syr. Sarsap. Comp 6 11. drs. Dist. Water to make .... 3 fl. ozsM. ft. Sol. (a) Between which two i
Ritual wine cup, Ritual wine cup with five bands of wickerwork around the barrel, one of which is around the foot., anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), bronze (metal), h 34.5 cm × d 21.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ritual-wine-cup-ritual-wine-cup-with-five-bands-of-wickerwork-around-the-barrel-one-of-which-is-around-the-foot-anonymous-china-500-200-zhou-dynasty-1050-bc-221-bc-bronze-metal-h-345-cm-d-215-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349937833.html
RF2B9917N–Ritual wine cup, Ritual wine cup with five bands of wickerwork around the barrel, one of which is around the foot., anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), bronze (metal), h 34.5 cm × d 21.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Cuba review. T 11 1- C U I! A REV 1-: w Summary of Active Plantations by Provinces—Output Figured in Bags l-lngli.h. l-'iencii. Spanis-.h, etc. American Culjan Ownership Ownership Ownership Total Province 1910 Est. 1911 191U Est. 1911 1910 Est. 1911 1910 Est. 1911 Havana 1,132,073 1,079,800 25,250 25.000 180,690 153,000 1,338,013 1,257,800 Pinar del Kio .... 18,879 29,000 50.942 55,000 166,297 177,000 2,361,118 261,000 Matanzas 1,198,310 982,000 507,732 463,000 1,364,990 1,146,000 3,071,032 2,591,000 Santa Clara 1,371,662 1,320,000 998,661 1.010,000 1,830,126 1,765,000 4.200,449 4,095,00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cuba-review-t-11-1-c-u-i!-a-rev-1-w-summary-of-active-plantations-by-provincesoutput-figured-in-bags-l-lnglih-l-iencii-spanis-h-etc-american-culjan-ownership-ownership-ownership-total-province-1910-est-1911-191u-est-1911-1910-est-1911-1910-est-1911-havana-1132073-1079800-25250-25000-180690-153000-1338013-1257800-pinar-del-kio-18879-29000-50942-55000-166297-177000-2361118-261000-matanzas-1198310-982000-507732-463000-1364990-1146000-3071032-2591000-santa-clara-1371662-1320000-998661-1010000-1830126-1765000-4200449-409500-image216349821.html
RMPFYGB9–. The Cuba review. T 11 1- C U I! A REV 1-: w Summary of Active Plantations by Provinces—Output Figured in Bags l-lngli.h. l-'iencii. Spanis-.h, etc. American Culjan Ownership Ownership Ownership Total Province 1910 Est. 1911 191U Est. 1911 1910 Est. 1911 1910 Est. 1911 Havana 1,132,073 1,079,800 25,250 25.000 180,690 153,000 1,338,013 1,257,800 Pinar del Kio .... 18,879 29,000 50.942 55,000 166,297 177,000 2,361,118 261,000 Matanzas 1,198,310 982,000 507,732 463,000 1,364,990 1,146,000 3,071,032 2,591,000 Santa Clara 1,371,662 1,320,000 998,661 1.010,000 1,830,126 1,765,000 4.200,449 4,095,00
. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . 9 10 71 12 13 n 15 16 17 18 19 10 21 2Z 23 24 25 26 27 Fig. 69. Chrysanthemum segetum. Curven der Strahlenblüthen in den primären Köpfchen. A Curve der 13-strahligen Rasse. B Curve der 21 - strahligen Kasse. C Cx Curve der gemischten Saat. Vergl. Bd. I, S. 527 und 529. Die dort gegebenen Zahlen sind hier in Procenten umgerechnet; die Summe dieser Procentzahlen ist für A und B auf je 100, für C Ct aber auf 200 gestellt. Die Curve 0 Cx umfasst also ebenso viele Individuen wie die Curven A und B zu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-mutationstheorie-versuche-und-beobachtungen-ber-die-entstehung-von-arten-im-pflanzenreich-9-10-71-12-13-n-15-16-17-18-19-10-21-2z-23-24-25-26-27-fig-69-chrysanthemum-segetum-curven-der-strahlenblthen-in-den-primren-kpfchen-a-curve-der-13-strahligen-rasse-b-curve-der-21-strahligen-kasse-c-cx-curve-der-gemischten-saat-vergl-bd-i-s-527-und-529-die-dort-gegebenen-zahlen-sind-hier-in-procenten-umgerechnet-die-summe-dieser-procentzahlen-ist-fr-a-und-b-auf-je-100-fr-c-ct-aber-auf-200-gestellt-die-curve-0-cx-umfasst-also-ebenso-viele-individuen-wie-die-curven-a-und-b-zu-image180857254.html
RMME6N7J–. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . 9 10 71 12 13 n 15 16 17 18 19 10 21 2Z 23 24 25 26 27 Fig. 69. Chrysanthemum segetum. Curven der Strahlenblüthen in den primären Köpfchen. A Curve der 13-strahligen Rasse. B Curve der 21 - strahligen Kasse. C Cx Curve der gemischten Saat. Vergl. Bd. I, S. 527 und 529. Die dort gegebenen Zahlen sind hier in Procenten umgerechnet; die Summe dieser Procentzahlen ist für A und B auf je 100, für C Ct aber auf 200 gestellt. Die Curve 0 Cx umfasst also ebenso viele Individuen wie die Curven A und B zu
Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-a-u0022pledge-of-unityu0022-scroll-signed-by-1200-mayors-957am-presentation-of-a-u0022declaration-of-unityu0022-scroll-signed-by-1200-mayors-given-to-president-john-f-kennedy-as-part-of-the-mayors-of-america-unity-program-l-r-mayor-of-atlanta-georgia-william-b-hartsfield-mayor-of-tucson-arizona-don-hummel-president-kennedy-mayor-of-woburn-massachusetts-john-f-gilgun-jr-in-back-mayor-of-cleveland-ohio-anthony-j-celebrezze-rose-garden-white-house-washington-dc-image402930621.html
RM2EBF239–Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C.
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.48 g, 9:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-448-g-900-17mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393474705.html
RM2DT4901–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.48 g, 9:00, 17 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
. Transactions. lies for most blast-furnace gas between2,450 and 2,500°F. for cold gas, and between 2.8 and 11.8 per cent, higherfor hot gas of a temperature of 200 to 600°F. It must be the aim of thegas engineer to get as near as possible to these theoretical combustion K, HUESSENER 411 temperatures. If the combustion temperatures are right, the rear tem-peratures will take care of themselves. It is an accepted rule that for <u 40 wSso a h00 a 40 3 30 »20 •J 10 . ^25% to in B. F. Gas 30% C I 0 Loss in Sensible Heat--^ ^ ^ . G*V ^ ,^^ S^ If toth CO & 0 are PresentReduce to an Oxygen Free Ba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transactions-lies-for-most-blast-furnace-gas-between2450-and-2500f-for-cold-gas-and-between-28-and-118-per-cent-higherfor-hot-gas-of-a-temperature-of-200-to-600f-it-must-be-the-aim-of-thegas-engineer-to-get-as-near-as-possible-to-these-theoretical-combustion-k-huessener-411-temperatures-if-the-combustion-temperatures-are-right-the-rear-tem-peratures-will-take-care-of-themselves-it-is-an-accepted-rule-that-for-ltu-40-wsso-a-h00-a-40-3-30-20-j-10-25-to-in-b-f-gas-30-c-i-0-loss-in-sensible-heat-gv-s-if-toth-co-0-are-presentreduce-to-an-oxygen-free-ba-image336645218.html
RM2AFKEBE–. Transactions. lies for most blast-furnace gas between2,450 and 2,500°F. for cold gas, and between 2.8 and 11.8 per cent, higherfor hot gas of a temperature of 200 to 600°F. It must be the aim of thegas engineer to get as near as possible to these theoretical combustion K, HUESSENER 411 temperatures. If the combustion temperatures are right, the rear tem-peratures will take care of themselves. It is an accepted rule that for <u 40 wSso a h00 a 40 3 30 »20 •J 10 . ^25% to in B. F. Gas 30% C I 0 Loss in Sensible Heat--^ ^ ^ . G*V ^ ,^^ S^ If toth CO & 0 are PresentReduce to an Oxygen Free Ba
Mummy Mask, 200/100 B.C., Paracas, Peru, south coast, Ica Valley, Ocucaje, Peru, Cotton, plain weave with bundles of extended warps, painted, 20.8 × 20.6 cm (8 3/16 × 8 1/8 in.) (without extended warps), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mummy-mask-200100-bc-paracas-peru-south-coast-ica-valley-ocucaje-peru-cotton-plain-weave-with-bundles-of-extended-warps-painted-208-206-cm-8-316-8-18-in-without-extended-warps-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349719376.html
RF2B8Y2HM–Mummy Mask, 200/100 B.C., Paracas, Peru, south coast, Ica Valley, Ocucaje, Peru, Cotton, plain weave with bundles of extended warps, painted, 20.8 × 20.6 cm (8 3/16 × 8 1/8 in.) (without extended warps), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Fig. 14. A. (200 m ^ m.) white; also seasonal variation in its frequency of occurrence B on the shelf, and black, and on the shelf C 'over the edge'. Season Spring Summer Autumn Winter Spring Summer Autumn Winter Table 5. Full data relating to Raja brachyurops/)/o«g^ in Fig. 14 On the shelf, depths less than 200 m. No. of individuals 6 62 74 17 % of total caught in each season 60 95 97 14 Over the edge, depths more than 200 m. No. of individuals No. of hauls 14 65 42 17 No. positive 3 17 18 3 positive 21-4 26-2 42-9 17-6 4 3 2 106 % of total caught in each season 40 5 3 86 No. of hauls 2 10 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-14-a-200-m-m-white-also-seasonal-variation-in-its-frequency-of-occurrence-b-on-the-shelf-and-black-and-on-the-shelf-c-over-the-edge-season-spring-summer-autumn-winter-spring-summer-autumn-winter-table-5-full-data-relating-to-raja-brachyuropsog-in-fig-14-on-the-shelf-depths-less-than-200-m-no-of-individuals-6-62-74-17-of-total-caught-in-each-season-60-95-97-14-over-the-edge-depths-more-than-200-m-no-of-individuals-no-of-hauls-14-65-42-17-no-positive-3-17-18-3-positive-21-4-26-2-42-9-17-6-4-3-2-106-of-total-caught-in-each-season-40-5-3-86-no-of-hauls-2-10-image179992035.html
RMMCR9JY–. Fig. 14. A. (200 m ^ m.) white; also seasonal variation in its frequency of occurrence B on the shelf, and black, and on the shelf C 'over the edge'. Season Spring Summer Autumn Winter Spring Summer Autumn Winter Table 5. Full data relating to Raja brachyurops/)/o«g^ in Fig. 14 On the shelf, depths less than 200 m. No. of individuals 6 62 74 17 % of total caught in each season 60 95 97 14 Over the edge, depths more than 200 m. No. of individuals No. of hauls 14 65 42 17 No. positive 3 17 18 3 positive 21-4 26-2 42-9 17-6 4 3 2 106 % of total caught in each season 40 5 3 86 No. of hauls 2 10
Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-a-u0022pledge-of-unityu0022-scroll-signed-by-1200-mayors-957am-presentation-of-a-u0022declaration-of-unityu0022-scroll-signed-by-1200-mayors-given-to-president-john-f-kennedy-as-part-of-the-mayors-of-america-unity-program-l-r-mayor-of-atlanta-georgia-william-b-hartsfield-mayor-of-tucson-arizona-don-hummel-president-kennedy-mayor-of-woburn-massachusetts-john-f-gilgun-jr-in-back-mayor-of-cleveland-ohio-anthony-j-celebrezze-rose-garden-white-house-washington-dc-image402930591.html
RM2EBF227–Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C.
Mint: Pergamum, Coin from Pergamum, 200–133 B.C., Copper, 3.03 g, 12:00, 20 mm, Made in Pergamum, Mysia, Greek, 2nd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-pergamum-coin-frompergamum-200133-bc-copper-303-g-1200-20mm-made-in-pergamum-mysia-greek-2nd-century-bc-numismatics-image393571413.html
RM2DT8M9W–Mint: Pergamum, Coin from Pergamum, 200–133 B.C., Copper, 3.03 g, 12:00, 20 mm, Made in Pergamum, Mysia, Greek, 2nd century B.C., Numismatics
Monna Vanna; lyrical drama in four acts and five tableaux by Maruice Maeterlinck English text by Claude Aveling . «« AU MKAKSTHKL.oll.- CupjrigLt b^ HEUr.KL a(. 1908Vivunn,, H. ft C. 2/!. 200 lIKLflKL ft C. Kd.lci.rs. H.iris. 220 I ^ ^ tnT^n J ^ j^rrrf^-f i i ^ 7 I 4^ la !?«:«. 5^^ ^fl -• k* -f- d ^4 «^-- m- -^^r—rr^ m* b r llr J W* p-— 4t-j -^? r E=t= -H— #^ r —=r • 1 ^?t deho):s —^ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monna-vanna-lyrical-drama-in-four-acts-and-five-tableaux-by-maruice-maeterlinck-english-text-by-claude-aveling-au-mkaksthkloll-cupjriglt-b-heurkl-a-1908vivunn-h-ft-c-2!-200-liklflkl-ft-c-kdlcirs-hiris-220-i-tntn-j-jrrrf-f-i-i-7-i-4-la-!-5-fl-k-f-d-4-m-rrr-m-b-r-llr-j-w-p-4t-j-r-e=t=-h-r-=r-1-t-dehos-image338119373.html
RM2AJ2JKW–Monna Vanna; lyrical drama in four acts and five tableaux by Maruice Maeterlinck English text by Claude Aveling . «« AU MKAKSTHKL.oll.- CupjrigLt b^ HEUr.KL a(. 1908Vivunn,, H. ft C. 2/!. 200 lIKLflKL ft C. Kd.lci.rs. H.iris. 220 I ^ ^ tnT^n J ^ j^rrrf^-f i i ^ 7 I 4^ la !?«:«. 5^^ ^fl -• k* -f- d ^4 «^-- m- -^^r—rr^ m* b r llr J W* p-— 4t-j -^? r E=t= -H— #^ r —=r • 1 ^?t deho):s —^
Handle, Main motif taotie, further characteristic late Zhou ornamentation, anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), silver (metal), h 13.0 cm × w 11.0 cm × d 2.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handle-main-motif-taotie-further-characteristic-late-zhou-ornamentation-anonymous-china-500-200-zhou-dynasty-1050-bc-221-bc-silver-metal-h-130-cm-w-110-cm-d-24-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349938297.html
RF2B991T9–Handle, Main motif taotie, further characteristic late Zhou ornamentation, anonymous, China, -500 - -200, Zhou-dynasty (1050 B.C.-221 B.C.), silver (metal), h 13.0 cm × w 11.0 cm × d 2.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Die Insekten . Säng§]c^nitt in gig. 200. S^a fe^en hjir äugerlid^ junöc^ft bie Sarüenr^aut, unb ^ftjar 1) hie bicfe S^itintage (cu), 2) öie gedige SBeid^^aut (z) unb 3) ben d)ln^M<^ian^ (m). ®a§ 3nnere jeigt §rt)ei 5(bfd)nitte: einen öorbern jelbftänbigen ^i5rpert^ei(, b. i. ben S5orber(eib be§ ^ntago, unb bann einen l^intern, ber mit ber Saröe gufammenfällt. 3rt)ifd§en bem felb^ flänbigen ^uppenborber- (eib unb ber allgemeinen §ütle finöen fid^ aber nod) geUjiffe ber Saröe ange^örige Sßeid^geUjebe: j. S3. S3Iut, gettaetten u. 51. @anj üorne bemerfen mir ferner, ba^ bie SBeid^fd^id^ten b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-insekten-sng-cnitt-in-gig-200-sa-feen-hjir-ugerlid-juncft-bie-sarenraut-unb-ftjar-1-hie-bicfe-sitintage-cu-2-ie-gedige-sbeidaut-z-unb-3-ben-dlnmltian-m-a-3nnere-jeigt-rtei-5bfdnitte-einen-orbern-jelbftnbigen-i5rpertei-b-i-ben-s5orbereib-be-ntago-unb-bann-einen-lintern-ber-mit-ber-sare-gufammenfllt-3rtifden-bem-felb-flnbigen-uppenborber-eib-unb-ber-allgemeinen-tle-finen-fid-aber-nod-geujiffe-ber-sare-angerige-seidgeujebe-j-s3-s3iut-gettaetten-u-51-@anj-orne-bemerfen-mir-ferner-ba-bie-sbeidfdidten-b-image180921940.html
RMME9KNT–. Die Insekten . Säng§]c^nitt in gig. 200. S^a fe^en hjir äugerlid^ junöc^ft bie Sarüenr^aut, unb ^ftjar 1) hie bicfe S^itintage (cu), 2) öie gedige SBeid^^aut (z) unb 3) ben d)ln^M<^ian^ (m). ®a§ 3nnere jeigt §rt)ei 5(bfd)nitte: einen öorbern jelbftänbigen ^i5rpert^ei(, b. i. ben S5orber(eib be§ ^ntago, unb bann einen l^intern, ber mit ber Saröe gufammenfällt. 3rt)ifd§en bem felb^ flänbigen ^uppenborber- (eib unb ber allgemeinen §ütle finöen fid^ aber nod) geUjiffe ber Saröe ange^örige Sßeid^geUjebe: j. S3. S3Iut, gettaetten u. 51. @anj üorne bemerfen mir ferner, ba^ bie SBeid^fd^id^ten b
Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy, as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-a-u0022pledge-of-unityu0022-scroll-signed-by-1200-mayors-957am-presentation-of-a-u0022declaration-of-unityu0022-scroll-signed-by-1200-mayors-given-to-president-john-f-kennedy-as-part-of-the-mayors-of-america-unity-program-l-r-mayor-of-atlanta-georgia-william-b-hartsfield-mayor-of-tucson-arizona-don-hummel-president-kennedy-mayor-of-woburn-massachusetts-john-f-gilgun-jr-in-back-mayor-of-cleveland-ohio-anthony-j-celebrezze-rose-garden-white-house-washington-dc-image402930661.html
RM2EBF24N–Presentation of a u0022Pledge of Unityu0022 scroll signed by 1,200 mayors, 9:57AM. Presentation of a u0022Declaration of Unityu0022 scroll signed by 1,200 mayors, given to President John F. Kennedy, as part of the Mayors of America Unity Program. L-R: Mayor of Atlanta, Georgia, William B. Hartsfield; Mayor of Tucson, Arizona, Don Hummel; President Kennedy; Mayor of Woburn, Massachusetts, John F. Gilgun, Jr. (in back); Mayor of Cleveland, Ohio, Anthony J. Celebrezze. Rose Garden, White House, Washington, D.C.
Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.31 g, 12:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-metapontum-fraction-frommetapontum-250200-bc-bronze-431-g-1200-16mm-made-in-metapontum-lucania-greek-3rd-century-bc-numismatics-image393050055.html
RM2DRCY9Y–Mint: Metapontum, Fraction from Metapontum, 250–200 B.C., Bronze, 4.31 g, 12:00, 16 mm, Made in Metapontum, Lucania, Greek, 3rd century B.C., Numismatics
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